Page 59 - Chinese Porcelain Vol I, Galland
P. 59

CHINESE MYTHOLOGY.                     27


                     The Three Precious Ones.
         Buddhist        seated            on three
                  figures,     cross-legged        lotus-shaped
                and        side                   some to
      pedestals,    ranged     by side, are said  by     repre-
      sent Buddha Past, Buddha Present, Buddha Future   but  at
                                                      ;
      p.  300, Mayers  gives  the  following  :  "  The  Trinity  of the
                               in Buddha, Dharma
      Buddhist belief, consisting                          and
                                                  (the law),
      Sangha  (the congregation  of  believers).  These  three  are
      symbolized by images  to which  worship  is addressed in Buddhist
                 These         are often of      size, and seem
      temples."        images              great
      always  to be covered with  gilt.
          Many  of the Buddhist  figures  we meet with on china, as on
       No. 243, are       intended to         a          rather
                  probably           represent  principle
                                                        "
       than an individual  ; for Gutzlaff, vol.  ii.  p. 220, tells us,  Who-
       ever strives to conform    to the institutions of Budhuism,
                           strictly
      and makes        donations for the        of
                 large                 building   temples, may
      become a Budhu himself."
           The Eighteen Arhats in Chinese     "  Law-han."
                         "
                   354             of the immediate          of
          Mayers, p.   :  Eighteen                  disciples
       Buddha                         or          These
              (arhat meaning deserving,  worthy).       images
       are  placed  in attendance  upon  those of Buddha in Chinese
       temples."
          They  do not  appear  often  upon porcelain,  and when met
       with,  it  is  generally singly,  or in small  groups.  Originally
       there seem  only  to have been sixteen, of which the  following
       description  is taken from Anderson,  p.  46  ;  of the two more
       modern, none of the  English  writers seem to  give any  account
       beyond  the  quotation  from the same author  given  under
       Nos. 17 and 18:—
                                  —
          1. Pin tu  lo  poh  lo  to  slid.  An  aged  man seated  upon  a
       rock  by  the seashore, holding  tablets  (?)  and a short  fly-brush.
          2. Chia noh chia  fa  tfsho. — Usually  seated in a  priestly
       chair, holding  a  long fly-brush.
          3. Poh  li  to  sho. — Holds a  manuscript  roll  ;  an  acolyte
       standing by  his side strikes a  bowl-gong.
          4. Su     tho.— Seated      a mat, hands folded
                pin             upon                      upon
       knees.
                                —
          5. Noh Chu na           Seated        a
                         (or  lo),        upon    priest's  chair,
       holding  a  rosary.
   54   55   56   57   58   59   60   61   62   63   64