Page 63 - Chinese Porcelain Vol I, Galland
P. 63

SYMBOLS, EMBLEMS, AND CHARMS.                  31

       prayed  to the north star  (the  measure of the north or  god  of
       longevity)  that his life  might  be  accepted  in  place  of his father's.
           XX. Ts'ai She. Her mother-in-law, being  old and toothless,
       she nourished her with milk from her own breast.
           XXI.  Kiang  She and his wife waited  upon  his  aged mother,
       and walked       distances          to             water
                   long          every day    get drinking
       and fish that she fancied.  After a time  they  were rewarded
       by  a  spring  of the desired water  bursting  forth at his  dwelling,
               a     of              No.
       yielding  pair   carp daily (see  381).
           XXII.  Ting  Lan . After his mother's death  (some  accounts
                   and tell the tale in the     he had an
       say parents',                     plural),         image
       made of her. A  neighbour  one  day  struck this, and on  Ting
       Lan's return home he noticed an  angry expression  on the face
       of the  image.  Finding  out what had  happened,  he beat the
                 for which he was            when the       was
       aggressor,                apprehended,         figure
       seen to shed tears.  These facts  becoming known, he received
       high  honours from the State.
          XXIII. Chu    Show-ch'ang.  An  official, Sung  dynasty.
       His mother was divorced  during  his  youth  and  disappeared.
       On  reaching manhood, he instituted a search for her, which,
       after a  separation  of more than  fifty years,  was successful.
          XXIV.   Hwang T'ing-kien,  a.d. 1045-1105. A celebrated
       poet  of the  Sung dynasty.  Although  he attained  great  rank
       his filial  piety  was so  great  that he waited  upon  his  parents,
       with his own hands  performing  on their behalf the most menial
       duties.






                SYMBOLS, EMBLEMS, AND CHAKMS.
                        Symbolical Ornaments.

        Sir A. W. Franks,  p. 237,  says,  "We are so much accus-
       tomed in  Europe  to ornament  being applied  to works of art
               to       the     that we are    to think that the
        simply   please     eye,           apt
        same rule  prevails everywhere.  The truth  is that  many  of
       the devices we  employ belong  to faiths  long passed away,  such
       as the  religions  of Greece and Eome, or  are derived from
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