Page 64 - Chinese Porcelain Vol I, Galland
P. 64

32             CHINESE PORCELAIN.
        sources so                that in combination     become
                  widely divergent,                   they
                    and
        incongruous     unmeaning.
            "
             Such is not, however, the case in the far East, especially
        in China, where each colour and each flower has its  appropriate
        meaning  and  purpose."
                                Symbols.
                                   "
            The same author tells us,  The first to be noticed are the
                        which have been termed          and which
        peculiar figures                       symbols,
        are more  usually  found on Chinese than on  Japanese porcelain.
        These  symbols  are  generally eight  in number, although  the
        individual forms are  apt  to  vary.
            "
             The number  eight  is somewhat of a favourite  among  the
        Chinese, perhaps  on account of the Pa-kwa, or  eight mystical
        trigrams,  but it is also a number that admits of  being sym-
        metrically arranged."
              "
            I.  The            or emblems of the
                    pa-gan-sien,                  eight immortals,
        which do not  very frequently  occur on  porcelain  as  symbols.
        These are  especially  Taoist."
           II. "The  pa-chi-siang,  or  eight lucky  emblems  of  the
        Buddhists.  These are carved in wood, or made in  clay,  and
        offered on the altar of  every  Chinese Buddhist  temple,  as well
        as         ad  infinitum  in architectural decoration  are
           repeated                                     ; they
        derived from India, and are, of course, used  principally by  the
        Buddhists."
                "
           III.  The  ordinary pa-pao,  or  eight precious things  ; they
        are  very variable, and do not seem to be connected with  auy
        special religion.
            "                    be
             They generally may     distinguished  from other orna-
        ments  by  ribbons or fillets entwined around them."
            These fillets are  pieces  of red cloth tied round  anything
        believed to  possess  the  efficacy  of a charm, and are  supposed
        to  represent  the  rays  or aura of the charm.  They are, in fact,
        to the charm what the halo is to the  gods  or  goddesses.
            Apart  from this, or  perhaps  from this, the Chinese seem to
        look            of cloth tied in a             as an omen
             upon strips                 particular way
                                                "
        of  good  ; for Doolittle tells us, at  p. 131,  The white cloth
        comes next to the  clothing.  Some or all of it is torn into  strips,
        and after  being  wound around the  corpse  in a certain manner,
        is tied into a kind of knot, which is considered       or
                                                     auspicious
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