Page 153 - Fine Japanese Art Bonhams London May 2018
P. 153
Born in Wakayama Prefecture, Kodojin (‘Old
Daoist’) became extremely accomplished in
Chinese verse composition at an early age
but switched to haiku for a time after studying
with Masaoka Shiki (1867-1902). In the
last three decades of his life, he returned to
Chinese verse as well as painting landscapes
in the Nanga style that have earned him a
wide circle of admirers outside Japan in recent
years. For English translations of Kodojin’s
accomplished and imaginative Chinese verse,
see Stephen Addiss and Jonathan Chaves,
Old Taoist: The Life, Art, and Poetry of Kodojin
(1865-1944), New York, Columbia University
Press, 2000.
305 *
HASHIMOTO DOKUZAN (1869-1938)
Taisho (1912-1936) or Showa (1926-1989)
era, circa 1912-1938
Kakejiku (hanging scroll); ink on paper in silk
mounts, depicting a toad in typical pose
sitting up and confronting the viewer, with a
cursive Chinese inscription, signed and seal
Ryuho; with a wooden tomobako storage
box inscribed outside Gamashi ga (Painting
of a toad), signed inside Ryuho [...] daisho
(Inscribed by Ryuho [...]), and sealed Dokuzan.
Overall: 205cm x 55.5cm (80¾in x 21 7/8in);
image: 135cm x 36.5cm (53 1/8in x 14 3/8in). (2).
£2,000 - 3,000
JPY300,000 - 450,000
US$2,800 - 4,200
Hashimoto Dokuzan, who used several other
art names including Ryuho as seen on this
painting, studied under the leading Nanga
painter Tomioka Tessai (1837-1924) and later
became a priest of the Rinzai sect. In 1909 he
was appointed Chief Abbot of the Shokokuji
Temple in northern Kyoto, retaining this post
until 1933.
304 305
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