Page 156 - Fine Japanese Art Bonhams London May 2018
P. 156

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           SHIMADA BOKUSEN (1867-1943)
           Taisho (1912-1868) or Showa (1926-1989) era, circa 1920-1940   The term genroku (dark stag) is sometimes used for the animal that
           Kakejiku (hanging scroll); ink and colours on paper in silk mounts,   accompanies Jurojin, God of Longevity, and is said to attain its colour
           depicting within a lobed reserve a recumbent stag holding down a   after the passage of 2,000 years, while the stag and camellia are a
           sprig of camellia with its left foreleg and chewing on one of the petals,   popular pairing in Chinese painting.
           signed Genroku Bokusen ga (Dark stag painted by Bokusen) and
           sealed Toyo; with two wooden tomobako storage boxes, one inscribed  Following the death in 1884 of his father Shimada Sekkoku, who
           outside Genroku (Dark stag); signed inside Bokusen jidai (painted by   trained him in the Maruyama style, Shimada Bokusen taught himself
           Bokusen) and sealed Shimada Toyo no in (Seal of Shimada Toyo).   for a while before travelling up to Tokyo in 1886 to become a pupil of
           Overall: 142.5cm x 70.5cm (56 1/8in x 29½in);     the famous painter Hashimoto Gaho; he started to exhibit his work
           image: 42.5cm x 50cm (16¾in x 19¾in). (3).        publicly in the same year, first receiving an award in 1887. He painted
                                                             a wide range of historical subjects and belonged to a succession of
           £2,500 - 3,000                                    leading art associations, showing frequently at the Bunten national
           JPY380,000 - 450,000                              salon and its successors up until 1942, as well as at overseas
           US$3,500 - 4,200                                  exhibitions.





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