Page 247 - Fine Japanese Art Bonhams London May 2018
P. 247

478




           478  *
           ONE BRONZE AND ONE SILVER OKIMONO
           OF CARP
           By Yamakawa Koji II (1860-1930) or III (1884-1938),
           Meiji (1868-1912) or Taisho (1912-1926) era, 20th century
           Each naturalistically rendered in a swimming attitude with
           their fins threshing the water, the details on the body, fins,
           gills and tails finely incised, the eyes inlaid in gilt with dark
           pupils, the silver carp signed on its belly Yamakawa Koji
           within a rectangular reserve; with a large natural wood
           stand. Each carp: 29.5cm (11 5/8in) long,
           the stand: 66cm (26in) long. (3).

           £3,500 - 5,500
           JPY530,000 - 830,000
           US$4,900 - 7,800

           Yamakawa Koji was the name used by three generations
           of prominent family of artists working in the Kaga
           metalworking tradition, from late Edo period to early
           Showa era.

           479  *
           A BRONZE OKIMONO OF TWO RABBITS
           By Okazaki Sessei (1854–1921), Meiji era (1868-1912),
           late 19th/early 20th century
           One standing with its front paws resting on the lightly
           on the back of its recumbent mate, signed beneath on
           one hind paw Sessei within a rectangular reserve; with a
           wooden storage box.
           12cm x 14cm (4¾in x 5½in). (2).

           £4,000 - 6,000
           JPY600,000 - 910,000
           US$5,700 - 8,500

           Okazaki Sessei got his early training in Osaka under his
           father, a maker of iron kettles, before moving to Tokyo to
           study casting under Suzuki Masayoshi. He participated in
           both domestic and international expositions and became   479
           famous for his work on large-scale public works including
           the statues of Saigo Takamori at the entrance to Ueno Park
           and of Kusunoki Masashige in the square in front of the
           Imperial Palace. In his later years he served as Professor at
           Tokyo School of Art.



           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  245
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