Page 14 - Bonhams September 12 2018 New York Japanese Works of Art
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                                                             INOUE OF KYOTO 京都井上
                                                             Lidded Ornament in the Form of a Buddhist Temple Bell
                                                             梵鐘形彫金ブロンズ蓋物
                                                             Meiji era (1868–1912), late 19th century
                                                             Cast in the form of a bell, the dark-brown patinated bronze chiseled
                                                             and decorated in gold, silver, shakudō, shibuichi, and copper
                                                             depicting a dragon amongst raging waves and clouds, a lotus motif
                                                             on either wide, with a band of formal lappet ornament inlaid in gold
                                                             around the base, the domed lid with gold lappets and raised bosses
                                                             imitating those on a real bell, surmounted by a handle in the form of
                                                             a double-dragon head in gold with an inlaid shakudō eye, signed on
                                                             the base with chiseled and gilt characters Kyōto Inoue sei 京都井上
                                                             製 (Manufactured by Inoue of Kyoto)
                                                             Height 6 1/8 in. (15.5 cm)
                                                             $8,000 - 10,000

                                                             During the Meiji era, Japanese metalworkers began to manufacture
                                                             ornaments in the form of Buddhist temple bells. Reflecting
                                                             increasingly sophisticated Western interest in native traditions and
                                                             beliefs, such pieces were mostly intended not for liturgical use in
                                                             Japan but as ornaments for American and European drawing rooms.
                                                             Even so, their makers made an effort to give them the appearance
                                                             of miniaturized versions of the real thing, sometimes as with this
                                                             particularly high-quality lot adding fanciful surface motifs that
                                                             appealed to foreign taste for exotic myth and legend.

                                                             Reference
                                                             Earle 2004, cat. no. 149, an example by Unno Moritoshi

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