Page 19 - Bonhams September 12 2018 New York Japanese Works of Art
P. 19

8
           ARTIST UNKNOWN 作者不詳                               Like many high-quality bronzes made during the earlier decades of
           A Bronze and Shibuichi Vase with a Simulated Wood Base   the Meiji era, the present lot melds several artistic traditions. The
           池水鯉遊図古獣文彫金ブロンズ花瓶                                  form bears a close resemblance to tall-shouldered ceramic vessel
           Meiji era (1868–1912), circa 1875–1890            shapes that evolved during China’s Song dynasties (960–1279) and
           Of elongated baluster form with low out-turned mouth and flat   were later copied in other media, first in China and later in Japan.
           rim, the top and base of chocolate-brown patinated bronze, the   The confronted dragon motifs around the shoulder are a continuation
           central band of shibuichi, the sides of the base cast and chiseled to   of the Edo-period (1615–1868) fascination with exotic beasts of
           resemble the sandy bed of a river, the shoulder inlaid in copper and   Chinese origin, while the more realistic-looking fish swimming among
           gold with confronted dragon motifs of Chinese inspiration, the central  waterweeds owe their origin to the Shijō school of painting that
           band chiseled and with relief of gold, silver, shakudō, shibuichi, and   emerged in Kyoto during the middle to late eighteenth century and
           copper depicting swimming carp and weeds, the separate bronze   combined direct observation of nature with deft use of the East Asian
           base cast in the form of seven mooring posts around a rotting tree   brush, translated here into chiseled metalwork; Shijō painters were
           trunk, unsigned                                   particularly fond of demonstrating their skill at depicting fish under
           Height overall 13 3/4 in. (35 cm)                 water. Finally, the rotting mooring posts reflects the Japanese love of
           Height without stand 11 in. (27.8 cm)             trompe l’œil imitation of one material by another, a trend seen also
                                                             in ceramics and lacquer. Brought together in a single work of art,
           $15,000 - 20,000                                  these diverse features produce an effect that, at the time, must have
                                                             seemed both reassuringly traditional and attractively novel.




                                      ANCIENT SKILLS, NEW WORLDS TWENTY TREASURES OF JAPANESE METALWORK FROM A PRIVATE COLLECTION  |  17
   14   15   16   17   18   19   20   21   22   23   24