Page 14 - Chinese Jades Nov 30 2017 Hong Kong
P. 14

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           A PALE CELADON JADE CARVING OF A          Sensitively modelled in openwork as a elegant spray of
           TRUMPET VINE                              trumpet vine, the present carving exemplifies the craftsman’s
           SONG DYNASTY                              masterful skill in transforming a raw jade pebble into the soft
                                                     naturalistic forms of a trumpet vine.
           sensuously modelled as a half-opened trumpet flower borne
                                                     The present piece belongs to a group of delicately carved jade
           on curved leafy stems, the five petals finely incised with veins,
                                                     ornaments inspired from natural forms, introduced in the
           elegantly furled at the edges revealing long stamens, the stone
                                                     Song dynasty. The reverse of the flower was cleverly undercut
           of a pale celadon tone flecked with russet
                                                     to create a gap between the flower and one of its leaves,
           6.7 cm, 2⅝ in.
                                                     creating a hollowed slot through which a strap or a belt could
           HK$ 50,000-70,000                         pass, suggesting the present piece may have been used as a
           US$ 6,500-9,000                           belt slide. Jade belt slides such as the present piece served
                                                     as replacements for earlier metal or jade buckles which were
           宋   青白玉雕凌霄花                               heavier and more ungainly to use.
                                                     A closely related trumpet vine plaque attributed to the Song
                                                     dynasty is illustrated in Compendium of Collections in the
                                                     Palace Museum. Jade, vol. 5, Tang, Song, Liao, Jin and Yuan
                                                     Dynasties, Beijing, 2011, pl. 196. The rendering of the floral
                                                     spray, with the bloom wrapped amongst long leaves with
                                                     naturally furled edges, closely resembles that on the present
                                                     piece. Compare another example also rendered as a floral
                                                     spray, from the Hei-Chi collection and attributed to the
                                                     Song dynasty, published in Tao and Liu Yunhui, Jades from
                                                     the Hei-Chi Collection, Beijing, 2006, p.160. Another jade
                                                     ornament worked in the form of a morning glory spray, from
                                                     the collection of the Palace Museum, Beijing, is illustrated in
                                                     Zhongguo yuqi quanji, vol. 5, Beijing, 1998, pl. 88. See also
                                                     another example of the same subject as the present piece but
                                                     as a round ornament, published ibid, pl. 89. A later example
                                                     from the collection of Sir Joseph Hotung, dated to the Ming
                                                     dynasty, is also discussed in Jessica Rawson, Chinese Jade
                                                     from the Neolithic to the Qing, London, 1995, p. 340, pl. 25:20.







































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