Page 108 - Decorative Arts, Part II: Far Eastern Ceramics and Paintings, Persian and Indian Rugs and Carpets
P. 108

NOTES
                             1.  See  the  discussion  of  pairing  in  the  entry  for  water  pots  7.  See Bartholomew 1985, 36; and  Li and  Watt 1987,168. Both
                             (1942.9.481-482,  490-491)  and  the  entry  for  brush  washers  discuss  the  history  and  significance  of  gourds  and  gourd-
                             (1942.9.484,488-489). A pair of Qianlong celadon gourd-shaped  shaped  vessels. The history of such vessels can be traced to  the
                             vessels is reproduced in Min  Chiu 1977,133, no. 76, repro. p. 72.  Tang dynasty, according to Watson 1984, 94-95, pi. 61. See the
                             Two other Qianlong celadons were sold individually but  appear  entry for 1942.9.597 for a figurine  of Li Tieguai in the National
                             to have been a pair: Fine Chinese Ceramics and Works  of Art, sale,  Gallery collection.
                             Sotheby's,  New  York,  31 May  1989, lots  167 and  169, repro.  Of  A recent discussion of the  history and  symbolism of gourd-
                             course, single gourd-shaped vessels are not  uncommon.  shaped vessels, with particular attention to Ming and Qing vessels,
                             2.  Ayers 1985,154-155, no.  127, repro.; 166, no.  138, repro.  can  be  found  in  Cort,  Stuart,  and  Tarn  1993,  42-48.  A  good
                                                                           overview of works on symbolism in Chinese art may be found on
                             3.  This vase, a bequest of Benjamin Altman, ace. no. 14.40.27, is  page 61, note 33.
                             unpublished.
                                                                           8.  See the entry for pale blue amphora vases  (1942.9.492-494).
                             4.  Kerr 1986, 46-47.
                                                                           The oxblood vessel in the  Koger Collection, mentioned above,
                             5.  Watson 1984, 94-95, pis. 61 and  144.     exhibits a similar darkening of glaze: Ayers 1985,154-155, no. 127.
                             6.  A  Longquan-ware gourd-shaped  vase,  dated  to  the  thir-  9.  The celadon Qianlong pieces cited in note i above display a
                             teenth  or  fourteenth century, epitomizes the  maturity of this  very  uniform  glaze  color,  as  does  another  Qianlong gourd-
                             form  achieved in  the  Song. See Sekai  tdji  zenshu 1975-1985, 12:  shaped  vase  with  lid  in  The  Hong  Kong  Museum  of  Art:
                             211,  no.  219, repro.                         Tianminlou 1987, i: no.  160, repro.; 2: 225, no.  160, repro.











































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