Page 196 - Decorative Arts, Part II: Far Eastern Ceramics and Paintings, Persian and Indian Rugs and Carpets
P. 196

1942.9-614-615 (€-465-466)
                        Pair of  Zun-shaped    Beaker Vases


                        Qing dynasty, Kangxi period  (1662-1722)
                        Porcelain with famille  noire enamels on the biscuit,
                                                29
                          1942.9.614: 46.1 x 22.7  (18 Vs x 8 / 32)
                                            3
                          1942.9.615: 46.6  x 23.0  (i8 /s x 9 Vie)
                        Widener Collection
                        TECHNICAL NOTES
                        Each vase is made of three sections luted together. The interiors  used extensively. A white slip partially covers the  surface
                        of both vases are covered with a colorless glaze, with  a key-fret  of  the  vessels  under  the  enamel  colors,  possibly  to
                        band in black under a dark green enamel just inside the lip. The  increase the intensity of the enamels.
                        foot-ring of 1942.9.614 is relatively sharply trimmed, while that  The  decoration  on  both  vessels begins  on  the  necks
                        of 1942.9.615 is smoothly beveled. The bases of both are recessed  with rocks, birds, and branches of flowering plum against
                        and glazed. Several cracks and an area of repair with  overpaint-  a black ground. At the bottom  of the  necks are bands of
                        ing  at  the  lip  are  seen on  1942.9.614, while  1942.9.615 has  had  floral  roundels. The waists are painted with rocks, birds,
                        four  small holes  drilled,  apparently to hold handles, later  filled  flowers,  and  clusters of pine needles; below are bands of
                        and painted. There are many spots on the surfaces of both vases
                        where the black enamel  is missing.            ascending  and  descending  triangles  containing  small
                                                                       half-flowers. The high feet are decorated with rocks, blos-
                        PROVENANCE                                     soming  plum,  and  birds.  The  imagery  of  each  vase  is
                        Richard  Bennett,  Northampton,  England.  (Gorer,  London);  roughly  the  same,  although  that  of  1942.9.614  is  more
                        (Dreicer  & Co., New York, agent for  Gorer, London);  sold 1915  cursorily and  mechanically painted, with thicker texture
                        to  Peter  A.  B.  Widener,  Lynnewood  Hall,  Elkins  Park,  strokes  under  the  enamels. The  painting  on 1942.9.615
                        Pennsylvania;  inheritance  from Estate of Peter A. B. Widener  by  reveals a greater degree of stylistic variation.
                        gift  through  power  of  appointment  of  Joseph  E.  Widener,                         SL
                        Elkins Park,  Pennsylvania.


                           OTH VASES ARE COVERED WITH famille  noire enamels  on  REFERENCES
                        Bthe biscuit. The colors employed are black, blue, two  1911  Gorer:  64, no. 328.
                        shades of green, and  a colorless enamel. Blue enamel is  1911  Gorer and  Blacker: i: pi. 8.










































       180              D E C O R A T I V E  A R T S
   191   192   193   194   195   196   197   198   199   200   201