Page 270 - Decorative Arts, Part II: Far Eastern Ceramics and Paintings, Persian and Indian Rugs and Carpets
P. 270

1972.43-11-13 (C-566-568)
                         Vases


                         Qing dynasty, late eighteenth century
                         Porcelain with underglaze blue decoration over white
                         slip ground,
                                               3
                          1972.43.11:13.0 x 7.0  (5 Vs  x 2 /4)
                                          9
                           1972.43.13:11.6 x 6.2  (4 /i6 x 2^6)
                         Porcelain with underglaze blue decoration,
                                               5
                           1972.43.12: 11.7 x 6.6 (4% x 2 /s)
                         Harry G. Steele Collection, Gift  of Grace C. Steele
                         TECHNICAL  NOTES
                         1972.43.11: The  lip  has  a slight bulge, and  there  are two  raised  1972.43.12: This small, thickly potted vase has a cream-
                         horizontal  lines  halfway  down  the  neck.  The  foot-ring  is  colored glaze with a light-brown crackle pattern. The ves-
                         beveled.  1972.43.12: A brown iron  oxide coating surrounds  the  sel's  size  suggests  it  was  designed  for  a  scholar's  desk.
                         lip.  The foot-ring is sharply trimmed, revealing a dense grayish  Painted in dark outlines with translucent washes of uni-
                         white paste, and the base is recessed and glazed. There is a small  form tonality, the decoration comprises a narrow ascend-
                         repaired chip in the lip. 1972.43.13: Like 1972.43.10, this vase has  ing-and-descending  chevron  band  around  the  neck,  a
                                            1
                         a white slip under the  glaze.  It is very light in weight, and  the
                         surface  has  an  uneven  texture.  The  foot-ring  is  narrow  and  wide  central band  of  stylized lotus  flowers  and  tendrils,
                         rounded; the base is recessed  and  glazed. Both  the lip and  the  and  bands of  stylized  petals  and  vertical  stripes  around
                         foot  are encircled by two blue lines.         the  foot.  These floral  and  geometric designs consciously
                                                                        imitate an early Ming-dynasty  (fifteenth-century)  style of
                         PROVENANCE                                     porcelain decoration.
                         1972.43.11:  (Parke-Bernet  Galleries,  New  York);  sold  December  1972.43.13: The  decoration  on  this  vase is a scene of a
                         1940  to Harry G. Steele  [1881-1941], Pasadena; his widow, Grace  scholar fishing on a river bank. He has a broad-brimmed
                         C. Steele. 1972.43.12: (Parish-Watson  Gallery, New York); sold  to  hat  and  is stroking his beard. Behind are two tall rocks,
                         Harry G. Steele  [1881-1941], Pasadena; his widow, Grace C. Steele.  around  which  grow  a  willow  tree  and  other  foliage.
                         1972.43.13:  Harry  G.  Steele  [1881-1941],  Pasadena;  his  widow,  Coming down a path at the right is a man carrying an old
                         Grace C. Steele.
                                                                        woman  on his back. The man is dressed in short trousers,
                                                                        a tunic, and straw shoes. These figures  may represent the
                         1972.43.11:                                    devoted  son  Jiang  Ge with  his  mother.  Jiang Ge  is  the
                            HIS  VASE  CONSISTS  OF a  globular  central  section  that  ninth of the twenty four paragons of filial piety.  He lived
                                                                                                           3
                         Trises into a narrow  cylindrical neck.  Below the  cen-  during the eastern Han dynasty; he is described as having
                         tral section is a gently sloping foot. A crackled glaze cov-  carried his mother  on his back as he journeyed through-
                         ers  the  surface  suggesting  that  it  is  made  of  steatitic  out  China  in  search  of  work.  Behind  these  figures  the
                         (huashi)  porcelain. This type  first  appeared  in  China  at  path  climbs at a steep angle, turning into an abrupt  cliff.
                         the beginning of the eighteenth century, and was gener-  Clumps of bamboo  grow from  the base of the  cliff.
                         ally limited to small objects made for the scholar's desk. 2  This finely painted vessel was most likely designed for a
                           The foot-ring is covered with  an  iron  oxide wash, per-  scholar's desk, since porcelains with painting over a white
                         haps  in  imitation  of  Song-dynasty  crackled  Guan-type  slip were more expensive than those with painting  direct-
                         wares with dark clay bodies. The blue decoration is execut-  ly on  the  body  and  are  generally associated with special
                         ed in thin outlines with two tonalities of wash. Within the  production  for the  refined taste of scholars.
                         outlines there is some painted texture. The scene is of two                            SL
                         scholars conversing beneath two trees on a riverbank. The
                         buds on the trees suggest that the season is early spring. In
                         the water is a fisherman in his boat; the mountainous far
                         bank of the river appears beyond him. The disc of the sun  NOTES
                         hangs in the  sky. The opposite side is undecorated.  1.  Van Oort and  Kater 1982,114.
                           Steatitic  porcelain  enjoyed  a  revival in  the  late  eigh-  2.  See the  entry  on  1972.43.10  for  a  description  of  this  tech-
                         teenth  and  early nineteenth centuries. This vessel can be  nique; also note 6 in the essay on Chinese ceramic techniques in
                         dated  to  the  period  of  revival  on  the  basis  of  its  shape  this volume.
                         and  style of painting.                        3.  See Chen  1920,  43-44.








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