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           AN ASH-GLAZE-SPLASHED BUFF POTTERY MODEL OF A
           FARM HOUSE
           Eastern Han Dynasty                               A buff clay model of this form but made in two separate sections is
           The two-story building with an L-shape living quarter above the   illustrated by Sun in the catalog of the special exhibition organized
           square barn, the slanted tiled roof covering the entire top floor, with   by the Metropolitan Museum of Art, Age of Empires: Art of the Qin
           small sections of the roof covering the barn walls framing a small   and Han Dynasties, New York, 2017, p. 213, no. 131, described as
           courtyard opening to allow sun and rain, the upper story with two   Western Han dynasty and “the elevated main building may have been
           inward-opening doors each with three exposed timber tenons, slit   designated as residential space, whereas the courtyard on the lower
           window openings between the doors and on the adjacent wall with   level was used to keep livestock.”
           thatch coverings, the other side with continued slit windows above
           diagonal brick openwork, the barn below with cross-hatch openings   Another, called a pigsty, is illustrated by Ireneus Laszlo Legeza, A
           on one side and stone ridge support on the other, continued to a   Descriptive and Illustrated Catalogue of the Malcolm MacDonald
           wall with a row of reverse-T shape windows high up, and a small   Collection of Chinese Ceramics in the Gulbenkian Museum,
           mushroom-shape opening near the ground.           University of Durham, London, 1972, p.3, and plate V, no. 11; and
           12 3/8in (31.8cm) high; 10 1/2in (27cm) wide; 10 3/4in (27.6cm)   comparable smaller examples can be found in Institute of Humanistic
           deep                                              Studies, Kyoto University and is illustrated in Sekai toji zenshu, vol.
                                                             8, pl. 77; and another called a farm-shed from the M. H. de Young
           $4,000 - 6,000                                    Memorial Museum, San Francisco, is illustrated by Rene D’Argence,
                                                             in an article entitled ‘Early Chinese Ceramics, from the Neolithic
           東漢 草灰釉陶農舍模型                                       Times to the Five Dynasties’ in Apollo, vol. 84, no. 54 (August 1966),
                                                             p. 91, fig. 16.
           Provenance
           Yesteryear Antiques, Hong Kong, 28 May 1994
           The Harold and Ruth Newman Collection, Connecticut, 1994-2022

           出處:
           香港 Yesteryear Antiques,1994 年 5 月 28 日
           康州 Harold and Ruth Newman 藏,1994-2022

           For a smaller model of farm house with similar courtyard from the
           Ezekiel and Lillian Schloss Collection, see Bradley Smith & Wan-go
           Weng, China: A History in Art, New York, 1979, p. 62, no. 62-63b.
           Another smaller example in the collection of the Asian Art Museum of
           San Francisco is illustrated by Li, Chinese Ceramics: A New Standard
           Guide, New York, 1996, p. 79, no. 90, with further discussions on
           pp. 114-115 where the author mentions “Models featuring rooms
           in an L-shaped arrangements were made in three adjacent cultural
           zones: Hunan, Guangdong, and Guangxi.”
























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