Page 175 - Pierre Durand Collection Including Chinese Art and Porcelain Sothebys Jan 27 2022
P. 175

214
          GIUSEPPE MARIA TERRENI (LIVORNO
          1739-1811)
          A view of the Bosphorus with Istanbul and
          the Galata tower in the background
          signed and inscribed ‘View of the Dock Yard at
          Constantinople with Galata, Pera Nother Suburbs,
          Scutari &. Terreni pinx.t’ (on a strip of paper
          attached at bottom)
          watercolor and bodycolor
          14æ x 24 in. (37.5 x 61 cm)
          $4,000-6,000
          PROVENANCE:
          Anonymous sale; Hôtel Drouot, Paris, 10
          December 1998, lot 8 (as Antonio Terreni).

          Giuseppe Maria Terreni was renowned for
          the fresco decorations that once adorned the
          chapels of his hometown Livorno, most of them
          destroyed during the Second World War. His
          numerous views such as the present one reflect
          the influence of artists like Giuseppe Zocchi and
          Jacob Philipp Hackert. Another version of the
          view offered here was in the David Ker collection
          (Christie’s, South Kensington, 5 November 2015,
          part of lot 124), while the Victoria and Albert
          Museum owns a closely comparable watercolor,
          a View of the entrance to the Black Sea from the
          Thracian Bosphorus taken from Keretch Bournu
          (inv. SD 1037), which is titled and signed on a
          label pasted onto a mount very similar to that of
          the Durand drawing.






          215
          LUIGI MAYER (1755-1803)
          View of the Dardanelles
          watercolor and bodycolor
          13¬ x 21¿ in. (34.6 x 53.8 cm)
          $4,000-6,000

          After training in Rome with Giovanni Battista
          Piranesi, Luigi Mayer traveled to the Eastern
          Mediterranean with Sir Robert Ainslie, British
          ambassador to Constantinople. Mayer created
          a large number of watercolors depicting the
          sites they visited. A very similar view of the
          Dardanelles, with only some minor differences
          from the present composition, is at the Victoria
          and Albert Museum in London (inv. SD.656).












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