Page 184 - Pierre Durand Collection Including Chinese Art and Porcelain Sothebys Jan 27 2022
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          A REGENCY PATINATED BRONZE, ORMOLU AND BLACK
          MARBLE INKWELL
          CIRCA 1805
          Modelled as a draped kneeling woman, flanked by two elonaged inkwells
          decorated with grape vines, raised on a base fitted with a cedar-lined drawer,
          on bun feet
          9 in. (23 cm.) high, 12¡ in. (31.5 cm.) wide, 7 in. (18 cm.) deep
          $2,000-4,000
          PROVENANCE:
          The Chinese Porcelain Company, New York.
          This inkwell model was created during the Consulat period, most likely by
          one of the foremost tastemaker marchands-merciers, such as Lignereux.
          At the time, the banker Perregaux is known to have had an inkwell in his
          collection at the hôtel de Guimard: un écritoire en racine d'if à figure de
          femme à genoux et en bronze tenant deux cornes d'abondance. A virtually
          identical inkwell was formerly in the collection of Lord Elgin, one of
          Lignereux’s most notable clients, and sold The Property of the 11th Earl of
          Elgin and 15th Earl of Kincardine, K.T., Sotheby’s, London, 12 June, 1992, lot
          307.
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          AFTER THE MODEL BY DAVID D’ANGERS (1788-1856), AFTER   CHARLES-ARTHUR BOURGEOIS (FRENCH, 1838–1886)
          1837                                                Charmeur de serpents
          A BRONZE FIGURE OF PHILOPOEMEN                      indistinctly signed ARTHUR BOURGEOIS / Sculpt (to the side of circular base)
          Depicted leaning against a draped tree trunk, wearing a helmet and wielding   bronze, medium brown patina
          a sword, signed David D'Angers to top of base; together with another bronze   22º in. (56.5 cm.) high, 6 in. (15 cm.) diameter
          figure of a warrior leaning against a draped column with arms crossed holding
                                                              $2,000-3,000
          a sword, signed E. Quesnel. to reverse of plinth and incised Foyatier / 1832 to
          base of column
          13Ω in. (34.5 cm.) high, 5¡ in. (13.5 cm.) wide, 5¬ in. (14.5 cm.) deep   (2)
          $3,000-5,000
          LITERATURE:
          COMPARATIVE LITERATURE
          E. Bowyer, David D'Angers: making the modern monument, New York, 2013, no.
          39, p. 100.
          J. De Caso, David D'Angers: l'avenir de la mémoire : étude sur l'art signalétique à
          l'époque romantique, Paris, 1988. pp. 10-11.
          Galerie David d'Angers, Angers, 1984, pp. 20, 24, 63, 119.
          The original statue was commissioned by the government of Louis-Philippe
          in 1832 and the marble, completed in 1837, was installed in the Jardin des
          Tuileries as part of a program of didactic statues. In 1859, it became part
          of the Louvre Collection. David d'Angers has captured the Greek General
          towards the end of the Battle of Sellasia (222B.C.), illustrating an episode
          from Plutarch's Lives. A bronze model of Philopoemen by David d’Angers,
          from the Schlossberg Collection, was exhibited as cat. no. 39 at the Frick in
          2013.



















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