Page 12 - Sotheby's Chinese Art and Porcelain Auction New York September 12, 2018
P. 12

STEPHEN JUNKUNC, III

           PORTRAIT OF A COLLECTOR


           LOTS 101!121




           There are a handful of names in the world of   various aircraft parts, including B-29 hydraulic spools
           Chinese art that are inextricably associated with   on behalf of Ford Motor Company, who was sub-
           works of exceptional quality. Stephen Junkunc, III   contracting work from engine maker Pratt & Whitney.
           is amongst these luminaries. The name itself is   Alongside his role as manager and part owner
           instantly evocative of a period during which some   of the company, Stephen Junkunc, III spent his free
           of the greatest Chinese treasures came to America.   time forming an extraordinary collection of Chinese
           The Junkunc name today serves as one of the most   art. With an unabated hunger for knowledge, Junkunc
           important, and indeed desirable, provenances for   was a voracious reader who studied the Chinese
           Chinese art. Formed in America in the mid-20th   language and kept extensive libraries of Chinese art
           century, by Stephen Junkunc, III (d. 1978) the   reference books and auction catalogues at both his
           Junkunc Collection at its height numbered over   home and o"  ce.  Junkunc appears to have made
           2,000 examples of exceptional Chinese porcelain,   his Þ rst acquisitions in the early 1930s, apparently
           jade, bronzes, paintings and Buddhist sculptures;   after having happened upon a book on Chinese
           serving as a testament to a period of unprecedented   art. It is perhaps no coincidence that Junkunc’s
           wealth of Chinese material available in the West, as   initial collecting activity largely coincided with the
           well as to an astounding intellectual curiosity and   establishment of the Chicago branch of the reputable
           the means with which to buy internationally from the   Japanese dealer Yamanaka & Co., Ltd., who opened
           leading dealers in the Þ eld.             a gallery at 846 North Michigan Boulevard in 1928.
              Stephen Junkunc, III was born in Budapest,   Many of Junkunc’s early purchases came from
           Hungary circa 1905, and emigrated to Chicago, Illinois   Yamanaka, and before long, he was buying directly
           as a young child, where his father Stephen Junkunc,   from the leading London dealers specializing in
           II (d. 1948), a tool-and-die maker, founded General   Chinese art: Bluett & Sons, W. Dickinson & Sons,
           Machinery & Manufacturing Company in 1918. The   H.R.N. Norton and, of course, John Sparks, seeking
           company specialized in the manufacture of metal   Þ ne examples of porcelain for his collection.
           stampings for casket hardware. With the outbreak   The collection of Chinese ceramics from the
           of World War II, General Machinery converted its   Junkunc Collection ranks amongst the greatest
           shop for the war e! ort and began manufacturing   assemblages of porcelain ever formed in the West.
                                                     The collection included two examples of the fabled
                                                     Ru ware, of which only eighty-seven examples in the
                                                     world are known. These two dishes represented two
                                                     of the only seven examples of Ru ware to have been
                                                     o! ered at auction since the 1940s. One of the Ru
                                                     dishes, purchased from C.T. Loo in 1941, set a new
                                                     world record when it sold at auction for $1.6 million
                                                     in New York in 1992, and is today in the esteemed
                                                     collection of Au Bak Ling. Junkunc’s discerning eye
                                                     for ceramics was well established even in his nascent
                                                     years of collecting, as evidenced by a letter he wrote
                                                     to W. Dickinson & Sons in October 1935, requesting
                                                     that they be on the lookout for him for Kangxi and
                                                     Yongzheng period copper-red, peachbloom and
                                                     celadon-glazed ‘cabinet pieces’ of ‘very Þ ne quality
                                                     only’. In May of 1936, he wrote to Bluett & Sons in
                                                     London requesting that they continue to look for
           Stephen Junkunc photographed with his collection, illustrated in The
           Chicago Tribune, 7th September 1952       underglaze-red and peachbloom pieces for him, and
           ⎚吪剔ɀ䑲偗ᶱᶾ冯℞㓞啷⎰䄏炻↲㕤˪剅≈⒍婾⡯⟙˫炻1952⸜9㚰7㖍       to H.R.N. Norton in July of 1936 asking that he ‘send
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