Page 126 - Sotheby's Chinese Art and Porcelain Auction New York September 12, 2018
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           AN ARCHAIC BRONZE RITUAL VESSEL (DING)    The striking surface decoration has been accentuated
                                                     through the deliberate use of carbon, a practice common
           LATE SHANG / EARLY WESTERN ZHOU
                                                     to Shang bronzes. A related ding, but of slightly smaller
           DYNASTY
                                                     size and with cicadas cast below the rim, excavated in 1970
           the deep U-shaped body supported on three columnar legs,   from Xioaning tun, Anyang, Henan province, and now in the
           the ß attened everted rim set with two small upright loop   collection of the Institute of Archaeology, Chinese Academy
           handles, a band of kuilong encircling the vessel beneath the   of Social Sciences, Beijing, is illustrated in Zhongguo
           rim, their bodies comprised of hooked lines and leiwen and   qingtongqi quanji, vol. 2, Beijing, 1997, pl. 26; and a larger
           shown in ‘split representation’ centered by the face in proÞ le   version, and with blades cast onto the legs, in the Avery
           with a large raised eye, the remainder of the exterior sides   Brundage Collection, is included in Rene-Yvon Lefebvre-
           cast with a diagonal grid, each diamond-shaped unit with an   d’Argence, Ancient Chinese Bronzes in the Avery Brundage
           individual leiwen border and centered with a conical boss,   Collection,  Berkeley, 1966, pl. IV (right).
           a single pictogram cast to the well, the sage-green patina   Ding vessels decorated with this design were more
           with patches of malachite, dark gray and reddish-brown   commonly cast with circles in place of the raised bosses; see
           encrustations                             one in the Museum of Far Eastern Antiquities, Stockholm,
           Height 8 in., 20.4 cm                     illustrated in Bernard Kalgren, ‘New Studies on Chinese
                                                     Bronzes’, Bulletin of the Museum of Far Eastern Antiquities,
           PROVENANCE
                                                     no. 9, 1937, pl. XXXII, Þ g. 132; another from the collection of
           Sotheby’s London, 11th December 1979, lot 25.  Alan and Simone Hartman, published in Christian Deydier,
           Sotheby’s London, 15th May 2008, lot 522.   Les Bronzes Chinois, Fribourg, 1980, pl. 14, sold in our
                                                     London rooms, 3rd December 1963, lot 171, and again in
           LITERATURE
                                                     these rooms, 19th March 1997, lot 2; and a third also sold
           Liu Yu and Lu Yan, ed., Jinchu Yin Zhou jinwen jilu   in these rooms, 19th September 2001, lot 8. See also two
           [Compilation of recently discovered bronze inscriptions],   related vessels excavated in the late Shang tomb of Fu Hao,
           Beijing, 2002, pl. 192.                   a consort of King Wu Ding (r.1324-1265 BC), published in
           Wang Tao and Liu Yu, A Selection of Early Chinese Bronzes   Tomb of Lady Hao at Yinxu in Anyang, Beijing, 1980, pl. XI,
           with Inscriptions from Sotheby’s and Christie’s Sales,   Þ gs 1 and 2; and another excavated in 1985 from a tomb
           Shanghai, 2007, pl. 25.                   site near Anyang, Henan province, published in Zongguo
           Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang   qingtongqi quanji, op. cit., pl. 23.
           jicheng [Compendium of Inscriptions and Images of Bronzes
           from Shang and Zhou Dynasties], vol. 1, Shanghai, 2012, no.   $ 200,000-300,000
           00334.
                                                     ⓮㛓ġİġ大␐⇅ġġġġġġ溶
           Robustly cast with an attractive design of raised bosses, this
           type of distinctive ‘diamond and boss’ decoration appears   所㔯烉
           to have been an innovation of the Anyang bronze foundries
           and very popular in the late Shang, based on the excavated   Ը๕
           examples of the period.  Most often seen on gui and yu, this
           motif is commonly found on round-bodied vessels.  For a   ΐ㔎喯⭴㭼1979⸜12㚰11㖍炻䶐嘇25
           further discussion on the decoration see Robert W. Bagley,   ΐ㔎喯⭴㭼2008⸜5㚰15㖍炻䶐嘇522
           Shang Ritual Bronzes in the Arthur M. Sackler Collections,   ̈و
           Washington D.C., 1987, pp 504-514.
                                                     ∱暐⍲䚏ⱑ䶐炻˪役↢㭟␐慹㔯普抬˫炻⊿Ṕ炻
                                                     2002⸜炻⚾䇰192
                                                     㰒㾌⍲∱暐炻˪㳩㔋㫸伶㭟␐㚱所曺戭☐普抬˫炻
                                                     ᶲ㴟炻2007⸜炻⚾䇰25
                                                     ⏛捖䂥炻˪⓮␐曺戭☐所㔯㙐⚾⁷普ㆸ˫炻⌟1炻
                                                     ᶲ㴟炻2012⸜炻䶐嘇00334


















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