Page 149 - Sotheby's Chinese Art and Porcelain Auction New York September 12, 2018
P. 149

This pillow is notable for not only its deft delineation of the   Shoudu bowuguan cangci xuan [Collection of Ceramics in the
                             Þ gural scene on the central panel ß anked by two classical   Capital Museum], Beijing, 1991, pl. 26; and a smaller pillow,
                             poetic verses, but also the bold decoration adorning the side.   decorated with two ß oral roundels in the central band, in the
                             Ceramic pillows decorated with colorful sancai glaze have   Victoria and Albert Museum, London, is published in Rose
                             their roots in the Tang dynasty (618-906) and continued to   Kerr, Song Dynasty Ceramics, London, 2004, pl. 71. See also
                             be admired by the Jin and their conquerors, the Jurchens.   two sancai pillows attributed to the thirteenth century, one
                             The present piece, featuring a prominent central panel,   depicting three ducks and the other with a ß ying bird, from
                             encapsulates the characteristics of Jin dynasty (1115-1234)   the Yeung Wing Tak Collection, included in the Exhibition of
                             ceramic pillows from the Cizhou kiln of the Hebei province   Chinese Ceramic Pillows from Yeung Wing Tak Collection,
                             known for its carving and delicately incised lines, all of   Museum of Oriental Ceramics, Osaka, 1984, cat nos 116 and
                             which endow a sense of three-dimensionality to the overall   117.
                             aesthetic of this piece.
                                                                       The two verses painted on each end of the pillow are derived
                             Cizhou pillows decorated in the sancai palette with a Þ gural   from a Þ ve-character ‘regulated’ classic, Chou liuyuanwai
                             scene from the Jin dynasty are rare, although one, originally   jianji  by Yan Wei, a poet from the Jiangnan region active
                             attributed to the Song dynasty but now to the Jin dynasty,   during the Dali reign (c. 766-779) the Tang dynasty. It may
                             decorated with a scene of Xiaohe chasing Hanxin under the   be translated as:
                             moonlight, excavated from the Fangshang district, Beijing,
                                                                       In the spring, the willow pond Þ lls up
                             and now in the Capital Museum, Beijing, is illustrated in
                                                                       The sun sets late so the blossoms stay open for longer.





















































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