Page 336 - 2019 September 13th Christie's New York Important Chinese Works of Art
P. 336

1104
          A PAIR OF FAMILLE ROSE ‘HUNDRED DEER’ HU-FORM VASES
          19TH CENTURY
          Each vase is decorated with the ‘hundred deer’ motif, depicting a continuous   Longevity, Shoulao, while the inclusion of peaches and lingzhi fungus in the
          scene of deer frolicking in grassy meadows and beside a river, all within a   decoration is further symbolic of longevity. As such, the subject-matter on the
          rocky, mountainous landscape with pine trees, the shoulder fanked by a pair   present vase alludes to a multitude of auspicious connotations.
          of coral-red, dragon-scroll handles. The base of each is inscribed with an
          apocryphal Qianlong seal mark.                      The theme of ‘hundred deer’ was adopted on porcelains in the middle Ming
                                                              period, and can be seen on a Wanli period (1573-1620) wucai jar in the Musée
          17º in. (43.8 cm.) high                        (2)   Guimet, Paris (illustrated in The World’s Great Collections. Oriental Ceramics
                                                              Vol. 7, Musée Guimet, Paris, Kodansha, Tokyo, 1981, no. 26) and on the pair
          $60,000-80,000
                                                              of large blue and white Wanli jars given to Queen Christina of Sweden by
                                                              the Portuguese Ambassador (see The World’s Great Collections. Oriental
          PROVENANCE                                          Ceramics Vol. 8, Museum of Far Eastern Antiquities, Stockholm, Kodansha,
          Hartman Galleries, November 1968.                   Tokyo, 1982, fg. 247).
          EXHIBITED                                           Vases of this form and decoration enjoyed popularity during the reign of the
          Evanston, Illinois, The Mary and Leigh Block Museum, Northwestern   Qianlong emperor (1736-1795), and continued to remain popular through the
          University, Fall 1982.
                                                              19th century and into the Guangxu period (1875-1908). A vase similar to the
                                                              present pair was sold at Christie’s New York, 14-15 September 2017, lot 1272;
          The ‘hundred deer’ motif was very popular as the landscape depicted contains
                                                              another similar pair was sold at Christie’s London, 14 May 2013, lot 274; and
          important symbolic references. The subject of deer has a long history in
                                                              two other related examples were sold at Christie’s London, 16 April 2014, lots
          Chinese art as it refers to the rebus where the Chinese word for ‘deer’ is
                                                              42 and 43.
          a homophone for ‘emolument’ or ‘civil service salary’; the ‘hundred deer’
          therefore represent the ultimate success, a career in government service in   清十九世紀   粉彩百鹿尊一對
          Imperial China. The deer is also associated with Daoism and the Star God of










































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