Page 99 - 2019 September 13th Christie's New York Important Chinese Works of Art
P. 99

The form of mystical interpretation of
          Avalokiteshvara with multiple arms and
          heads is found on mural paintings at
          Dunhuang dating to the late 8th-9th
          century. The sculptural form appeared
          as early as the 10th century, and can
          be seen on a carving of a standing
          multi-armed bodhisattva dated to the
          Northern Song Dynasty (AD 960-1127) in
          the Dinglongxing Temple, Hebei province,
          illustrated in Guanyin Baoxiang (Precious
          Images of Guanyin), Shanghai, 1998, p. 99.
          One of the earliest published gilt-bronze
          Tantric Avalokiteshvara appears to be
          an example seated in bhadrasana, both
          legs pendent, in the Nitta collection,
          illustrated in The Crucible of Compassion
          and Wisdom, National Palace Museum,
          Taipei, 1985, pl. 189, pl. 93, dated to the
          Five Dynasties (AD 907-960). For Ming-
          dynasty examples of gilt-bronze Tantric
          Avalokiteshvara fgures, see one fgure sold
          at Christie’s Hong Kong, 29 May 2009, lot
          1951, and another fgure sold at Christie’s
          Hong Kong, 29 October 2001, lot 514.
          The current fgure can be compared to a
          group of fnely cast, imperial gilt-bronze
          fgures from the Kangxi period, which
          are likely created by a single workshop,
          or exclusively for the palace. Three other
          fgures from this group are in the Palace
          Museum, Beijing, and are illustrated
          in The Complete Collection of Treasures
          of the Palace Museum – 60 - Buddhist
          Statues of Tibet, Hong Kong, 2002, pp.
          239-41, no. 228 (Amitayus), no. 229
          (Vajradhara) and no. 230 (Green Tara).
          Although the iconography is varied, these
          three fgures in the Palace Museum
          each have a separately-cast stand with
          layered lotus petals surrounding the base,
          and are adorned with similar ornaments
          such as pendent earrings, a fve-point
          tiara and a jeweled necklace. Another
          gilt-bronze bodhisattva from this group
          is published on Himalayan Art Resources
          (himalayanart.org) as item no. 8084.
          Compare, also, two gilt-bronze fgures
          from this group with layered lotus
          petal bases sold at auction: a fgure of
          Amitayus sold at Christie’s Hong Kong,
          30 May 2018, lot 2867, and a fgure of
          Avalokiteshvara sold at Christie’s Hong
          Kong, 28 November 2012, lot 2265.














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