Page 36 - Indian, Himalaya and Asian Art Bonhams Setp 2015
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                               A GILT COPPER ALLOY FIGURE OF SHAKYA HIERARCH
                               Tibet, 15th/16th century
                               With hands in vitarkamudra holding lotus stems supporting the khadga and prajnaparamita
                               sutra, he wears a flowing robe over the long skirt (shemdap), a delicately incised sleeveless
                               jacket (dhonka) with floral and trellis patterns, and the red monastic cap with long lappets
                               falling over the shoulders.
                               7 in. (17.7 cm) high
                               $30,000 - 50,000
                               西藏 十五/十六世紀 銅鎏金薩迦派祖師坐像
                               Shakya lamas are commonly depicted with the implements of Manjushri. Without an inscription
                               we cannot securely identify the patriarch, however, he closely resembles a portrait of Drogmi
                               Lotsawa Shyaka Yeshe (c.992-1072) in the Oliver Hoare Collection. The treatment of the lotus
                               petals and thin beading around the lower edge of the base are identical. As are the handling
                               of the robes and size, suggesting that the two figures are from the same set (see Dinwidde,
                               Potraits of the Masters, London, 2003, p. 229, pl. 55). Also compare with a portrait of
                               Shakya Pandita Kunga Gyaltsen (1182-1251) in the Rubin Museum of Art: himalayanart.org/
                               items/65460.
                               The chased textile patterns of the lama’s jacket replicate Chinese brocades from which these
                               patchwork jackets were traditionally made. The sculpture also follows the post-Yongle convention
                               of draping the robe across the base in dense folds. Compare the treatment of the lotus base,
                               also with a plain upper rim, on a 15th-century portrait bronze of the Tibetan translator Brogmi,
                               published in von Schroeder, Buddhist Sculptures in Tibet, 2001, p. 1073, pl. 276C.
                               However, the more naturalistic modeling of the hands and feet, together with a lithe body,
                               are indicative of Newari craftsmanship found in superior Tibetan sculptures. Compare with a
                               closely related example sold at Nagel, 5/6 June 2015, lot 1538, and three Shakya lamas sold
                               at Sotheby’s, London, 19 March 2008, lots 304, 305 and especially 306 – of the fourth abbot
                               of Ngor monastery, Gyaltshap Kunga Wangchuk. Also compare to another, formerly in the
                               Onno Jansen Collection, sold at Christie’s, New York, 22 March 2011, lot 336.
                               Referenced
                               HAR - himalayanart.org/items/33030
                               Provenance
                               Private American Collection
                               Acquired in Kathmandu in the early 1960s

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