Page 84 - Chinese Works of Art and Buddhist sculpture, June 18, 2018 Galerie Zacke
P. 84

Duck fledgling with orchis                        Anemones

            Closed view of the Song Dynasty album with two exhibition catalogues, from 1974 and 1975,
            the “Anemones” leaf illustrated on both catalogue covers

            76
            LU ZONGGUI, DATED 1229: A HIGHLY IMPORTANT SONG DYNASTY   145 – Peonies, with the signature Lu Zonggui from Chekiang. This painter,   欗⬿屜炻1229⸜烉⬳ẋ慵天剙沍Ⅎ枩
            ALBUM WITH EIGHT PAINTINGS OF FLOWERS AND BIRDS   famous for his depictions of flowers, bamboo and animals, was a member   䴡㛔姕刚炻⑩䚠㤝⤥
            Polychrome colors on very thin, fine silk, in excellent condition   of the academy in Hangzhou from 1228-1233.            ᷕ⚳炻⋩ᶱᶾ䲨
                  th
            China, 13  century                               The album contains many Chinese collector’s seals, which confirm the high
                                                             age and authenticity of this work. Similar paintings have been listed in the   ↢䇰䈑烉˪㹓勐㟤㓞啷ᷕ䘬ᷕ⚳䇰䔓冯丒䔓˫ 炷Chinesische Farbdrucke und Malereien der Sammlung Winzinger 炸炻䲸ΐ
            Published: Chinesische Farbdrucke und Malereien der Sammlung   register of the ‘Ten Bamboo Hall’ as templates for their woodblock prints.”  ⟉㖍俛㚤⚳⭞⌂䈑棐旧⮼ⶫ暟ⶴ䈡·᷊≺⋼㚫⯽奥炻1974炻138-145嘇炻 ⛐⯽奥䚖抬ᷕ⎗夳㍺⚾烊˪㹓勐㟤㓞啷ᷕ䘬ᷕ⚳䇰䔓
            Winzinger (Chinese Prints and Paintings from the Winzinger Collection),                                                  冯丒䔓˫ 炷Chinesische Farbdrucke und Malereien der Sammlung Winzinger 炸炻䵕ḇ䲵旧⮼峅吪⧄⌂䈑椮䇰䔓悐炻 1975,
            Ausstellung der Albrecht Dürer Gesellschaft im Germanischen   This is one of the few works of art, where the quality entirely speaks   138-145嘇, ⛐⯽奥䚖抬ᷕ⎗夳㍺⚾ˤ Osvald Sirén II, ⚾37-70 冯 63ˤOsvald Sirén III炻⚾ 244 冯 245ˤ
            Nationalmuseum Nürnberg (An Exhibition of the Albrecht Durer Society   for itself. Painted in classic Song dynasty style, each of the eight leaves   句㫦: 䳡⭂Ḵ⸜⶙ᶹ⳿⢷Ḽ㚰䔓昊⼭姼欗⬿屜⇞
            in the German National Museum Nuremberg), 1974, lots 138-145, and   shows superior artistic skill and supreme inspiration. Only very few   ⛐ᶲ徘↢䇰䈑ᷕ炻㬌Ⅎ枩㚦塓姽婾䁢烉 “忁ℓⷭ䔓ᶨ崟慵䎦Ḯ⬳ẋ丒䔓炻䈡⇍橼䎦ḮἮ冒㷾⋿㷾春㛶徒炷㳣帵Ḷ1100-1197炸
            illustrated on the title of the catalogue. Chinesische Farbdrucke und   albums of comparable condition and caliber have been on the market   […]㛶徒⚈Ṿ䘬剙沍䔓侴ㆸ⎵ˤ
            Malereien der Sammlung Winzinger (Chinese Prints and Paintings from   during the last decades.
            the Winzinger Collection), Graphische Sammlung Albertina Wien (The   Shape: Album with wooden cover sheets               138 – 㝅柕䘥沍
            Albertina Collection Vienna), 1975, lots 138-145, and illustrated on the   Dimensions: 40 x 28,5 cm (sheet size), 31 x 24,2 cm (image size)   139 – 㴟吝 (䚖抬⮩朊⚾)
            title of the catalogue. Osvald Sirén II, page 37-70 and 63. Osvald Sirén III,   Condition: Outstanding condition, especially given the high age and the   140 – 剙攳㝅柕
            plates 244 and 245.                              sensibility of the material, with only minor abrasions and fading, little   141 – 䍓䐘冯浗沍
            Inscribed: “Made in the 5th month of the summer of the year yichou   soiling, some creasing and pinholes, some browning  142 – 啵刚䈥䈃剙
            [1229], which is the 2nd year of the Shaoding era, executed by the   Provenance: The Winzinger Collection of Chinese Prints and Paintings,   143 – 䳓喌坛圪
            ‘painter in attendance’ of the imperial painting academy, Lu Zonggui.”   Germany; The Professor Gebhardt Collection of Chinese Paintings; Private   144 – 嗕剙⸤泐
            In the aforementioned publications, the album has been described   Collection Vienna;                                    145 – 䈉ᷡ
                                                                                                   th
            as follows: “The eight sheets together build an album of Song dynasty   Literature comparison: China Guardian, Hong Kong, May 29 , 2017, lot   欗⬿屜炻Ἦ冒㴁㰇炻ẍ℞剙沍≽䈑昊幘桐㟤↢⎵炻㚦1228-1233⍿借Ḷ㜕ⶆ䔓昊ˤ
            paintings, predominantly painted in the style of Li Ti from Ho Yang,   450. (for a single painting depicting a goose, size 80 x 60 cm)  Ⅎ枩ᶲ⎗夳埮⣂ᷕ⚳⎌ẋ啷⭞懜⌘炻䓙㬌⎗夳嫱Ⅎ枩䘬⸜ẋ␴䛇⮎⿏ˤ栆Ụ䔓ἄ⎗夳˪⋩䪡滳䫢寙˫ˤ     Ƹ
            Honan province, active from ca. 1100 until 1197. […] Li Ti was famous for                                                忁㗗⮹㔠喅埻ἄ⑩ᷳᶨ炻℞岒慷⬴ℐ⎗ẍ嫱㖶⬫䘬䛇⮎⿏ˤ 䴻℠䘬⬳㛅桐㟤丒䔓炻ℓⷭℲ枩ᷕ䘬㭷ᶨⷭ悥⯽䎦↢⋻崲䘬喅
            his paintings of flowers, bamboo and birds.                                                                               埻㈨ⶏ␴㤝⣏䘬曰デˤ ⛐忶⍣䘬⸦⋩⸜墉炻⎒㚱㤝⮹㔠℟㚱⎗㭼ἄ⑩⛐ⶪ⟜ᶲ↢䎦ˤ
                                                                                                                                     Ⅎ枩炻㛐墥⮩朊
            138 – White bird on a blooming branch                                                                                    ⯢⮠烉 40 x 28,5 cm (⊭⏓墅墙), 31 x 24,2 cm (䔓朊)
            139 – Anemones (illustrated on the cover of the publication)                                                             ⑩䚠列⤥炻䚠㭼㛸㕁䘬檀⸜ẋ␴㓷デ⿏炻㔜橼⎒㚱庽⽖䘬㒎 ␴壒刚炻⮹慷㰉㻔炻ᶨṃ㐢䕽␴⮷㳆炻ᶨṃ墸嬲
            140 – Blooming branch with large leaves                                                                                  ⽟⚳㹓勐㟤Winzingerᷕ⚳䇰䔓冯丒䔓㓞啷烊㟤⑰⽟ Gebhardt㔁㌰ᷕ⚳丒䔓㓞啷烊䵕ḇ䲵䥩Ṣ㓞啷
            141 – Roses and warbler                                                                                                  㔯䌣⍫侫烉ᷕ⚳▱⽟炻楁㷗炻2017⸜5㚰29㖍炻450嘇㉵⑩炷˪洅⚾˫炻⯢⮠80 x 60 cm炸
            142 – Bindweed branch with hazy blue blossoms
            143 – Wisteria and Mantis                                                                                                Estimate EUR 20.000,-
            144 – Duck fledgling with orchis                                                                                          Starting price EUR 10.000,-






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