Page 89 - Chinese Works of Art and Buddhist sculpture, June 18, 2018 Galerie Zacke
P. 89

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 A LARGE YUAN / MING DYNASTY   This painting features a group of six Apsara   gleaming pupils set in elongated, almond-shaped
 PAINTING OF FEMALE DEITIES WITH GESSO   or Feitian standing atop of clouds and in the   eyes with narrow ‘bags’ below and well-shaped   ⃫㖶厑啑䔓⁷
 HIGHLIGHTS    foreground is dense leafage as well as a censer.   arched brows.  湣ⶫ朊炻㯜⡐炻㯜䰱炻䞛儷   ẁ⤛共悐堐䎦梥㺧炻桐㟤㶭㘘炻䫮妠侩䶜炻㖶㘿  㔯䌣⍫侫烉ᶨẞ⬳慹㗪㛇䀘㲍掉㟮˪厑啑䔓⁷˫
 Ink, gouache and gesso on linen   In the back we see the entrance to a terrace,   ᷕ⚳炻⃫军㖶ẋ   Ⰼ㫉㻠忚㝼␴ˤ朊柘寸䙰炻ᶳ柶㝼儜炻㛙⒯⤪⎴呻  ᶲ⎗夳⬴ℐᶨ农䈡⽝炻喯⭴㭼˪ᷕ⚳喅埻⑩˫炻楁
 China, Yuan – Ming Dynasty   a tree and a vessel from which a cylindrical   Shape: Rectangular horizontal shape  唦凔⇍农炻㞛䚱㛷䚖炻湹䝛䅈䅈炻䚱滣䚠忋ˤ  㷗炻2015⸜12㚰4㖍炻287嘇㉵⑩
    flame is emerging. The celestial maidens are   Dimensions: approx. 163 x 85 cm   㬌丒䔓䓇≽㳣㻹炻↢冒ἃ㔁⁛䴙⚾⁷炻ẍ䓀倭䚩
 This remarkably lively painting stands in the   shown in flowing garments and wear elaborate   Condition: Overall excellent condition, consistent   㔎䃴䞛䩇ᾅ⬀䘬Ⓒẋ⡩䔓⍲䴡䔓炻㚨⺋䁢Ṣ䞍炻  攟㕡⼊  Estimate EUR 10.000,-
 tradition of Buddhist imagery, best known from   headdresses. They hold various attributes such   with its age, trimmed at the margin, some   ⺞临军⬳ˣ慹ˣ军㖶ẋ㖑㛇炻⛐ᷕ⚳⊿悐⋨➇䘬  ⯢⮠烉163 x 85 cm   Starting price EUR 5.000,-
 wall paintings and silks from around the Tang   as a canopy, lanterns or a lotus flower halberd.   pigment loss and stains, soiling   ⮢昊悥㗗ẍ⡩䔓⼊⺷↢䎦ˤ㔎䃴卓檀䩇怢⛨⶚  㔜橼䉨㱩列⤥炻䫎⎰⸜ẋ炻怲䶋ᾖ−忶炻壒刚炻
 dynasty (618-907) preserved in the Dunhuang   Lotus leaves and blossoms are repeatedly   Provenance: Old Austrian Private collection,   ⎗夳㲍⟹㴖晽⟿慹㈨㱽炻ᶼ䚃埴㕤⬳㗪㛐晽炻⍲  㚱㰉嶉
 cave temples of Gansu province, which lived   incorporated in the depiction which a majestic   assembled in the 1930s to early 1950s
 on particularly in North China in the Song   blossom right at the center.   慹ẋ⡩䔓ˤ   㭼庫⬳㛅㛶ⴑ丒㔯Ṣ䔓ᷕᶨṽ⤛炻桐㟤㚜栗㝼
 (960-1279), Jin (1115-1234) and early Ming   Literature comparison: for a stucco panel of   ␴炻朊⭡䚠役䃞庫夳ℏ㔪炻寸柘歖㼌炻䚱滣廱㉀㚚
 (1368-1644) periods in form of temple frescoes.   The angels’ faces show an exquisite, crisp   a lady, dating to the Song / Jin dynasty and   忁ⷭ䔓䘬䈡溆㗗ᶨ䳬ℕᾳẁ⤛䩳㕤暚Ⰼᷳᶲ炻⚃  ⚻炻䍵䎈䵜檖炻㬌䴡庠䎦⬀⎘⊿⚳䩳㓭⭖⌂䈑昊炻
 The technique of using gesso relief highlights   painting style with sharp, determined brush   showing the exact same facial features as the   ␐䵈叱␴䂇曏䑘丆ˤ⛐側㘗塷ṕ⎘㚚㧳ˣ㳩㯜埴  ↲㕤˪ṽ⤛䔓ᷳ伶˫炻冢⊿炻1988⸜炻⚾䇰10ˤ
 is already found in the Mogao Grottoes of   strokes, softened by graduated shading. The   protagonists in the present painting, including   暚䫱䘬溆䵜炻ẁ⤛Ᾱ䨧叿䱦䶣炻ṾᾹㇳ㊩⸉㕿ˣ  ⤏⛘⇑䥩Ṣ㓞啷炻ᶲᶾ䲨ᶱ⋩⸜ẋ军Ḽ⋩⸜ẋ
 Dunhuang and became popular for Song   smooth, fleshy faces have exaggerated chubby   the gesso highlighting, see Sotheby’s, CHINESE   ⁀味炻⣂嗽⎗夳咖剙叱␴咖剙ˤ  岤ℍ
 dynasty wooden sculptures and Jin dynasty wall   cheeks and chin, where the skin forms soft folds,   ART, 03 DECEMBER 2015 - 04 DECEMBER 2015,
 paintings.   stylized lips elegantly pursed like a flower,   HONG KONG, lot 287.






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