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                               A thangka of Ratnasambhava
                               Tibet, 14th century
                               Distemper on cloth; the enthroned Tathagata surrounded by two-hundred repeated forms of
                               Shakyamuni.
                               Image: 25 1/4 x 17 1/2 in. (64.3 x 44.5 cm)
                               $120,000 - 150,000

                               This painting originates from a set of five depicting the Five Wisdom Buddhas of Vajrayana
                               Buddhism: Vairochana, Akshobhya, Ratnasambhava, Amitabha, and Amoghasiddhi. Each
                               embodies Shakyamuni’s purification of one of the five poisons, being Ignorance, Envy,
                               Pride, Desire, and Greed, respectively. Occupying a central role in Vajrayana Buddhism,
                               Ratnasambhava is found throughout Tantric Buddhism, most notably in the Anuttarayoga
                               (Wisdom) tantra.

                               The treatment of the central figure is exquisite, with confident and fluid lines, such as those
                               marking the strands of hair across his forehead. He has a slender torso following the tradition
                               of Pala-style manuscripts brought to Tibet by pilgrims and refugees in the 12th and 13th
                               centuries. His right hand extends across the knee with the palm facing outward in varada
                               mudra, the gesture of supreme generosity – Ratnasambhava’s designated mudra.

                               Crowned and bejeweled, the Tathagata sits within an elaborate structure protected by mythical
                               beasts. Most prominent are the vyalas, leonine creatures ridden by small boys clad in white,
                               striding on the backs of elephants. The upper section of the throne is surmounted by a winged
                               garuda, while makaras emerge from golden scrolls around the green nimbus. As prescribed,
                               galloping horses protect the throne base, which seats the final two-hundredth Shakyamuni
                               Buddha. When combined with the four others from this set, the number of repeated
                               Shakyamunis would total one thousand, enhancing the merit and efficacy of each thangka.

                               While the four other paintings are unknown in published records, the present thangka
                               compares to an example of Amoghasiddhi held in a private collection of a similar format
                               and with a comparable treatment of the primary figure’s hair (www.himalayanart.org/image.
                               cfm/30651.html). Also compare with another 14th-century thangka of Ratnasambhava in the
                               Newark Museum of Art (www.himalayanart.org/image.cfm/76002.html).

                               Referenced
                               HAR – himalayanart.org/image.cfm/77113.html

                               Published
                               Wisdom Publications, Wisdom Calendar, August, 1994

                               Provenance
                               Private European Collection
                               Acquired from the Private Collection of Ulrich von Schroeder in the late 1980s/early 90s

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