Page 186 - Christies September 13 to 14th Fine Chinese Works of Art New York

This rare vessel appears to have been on a very similar bronze vessel depicted in the bronze catalogue
Xiqing Gujian, compiled in 1749, (Fig. 1). It is in vol. 11, no. 29, of the 1908 edition, and illustrated by B.
Quette (ed.) in Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, 2011, p.
89. As with the present vessel, the fanges do not appear to be truly notched, but made to appear so.
The shape of the bird, decoration on the body, and shape of the wheel spokes are all similar. A late Ming
dynasty version of this vessel in bronze, which also appears to be very similar, is in the National Palace
Museum, Taiwan, and illustrated in Through the Prism of the Past, Taipei, 2003, p. 174, pl. III-42.

Wheeled bird-form vessels executed in cloisonné appear to have appealed to the craftsmen of the
Qianlong period, as evidenced by others of varying type that have been published. Two dated to the
Qianlong period are also illustrated by B. Quette op. cit., p. 269, no. 88, in the Brooklyn Museum, and no.
89, in the Philadelphia Museum of Art, which has an inscribed four-character Qianlong mark. Another
vessel of this type is illustrated in Enamel Ware in the Ming and Ch’ing Dynasties, National Palace
Museum, Taipei, 1999, no. 70. See, also, the two vessels illustrated by H. Brinker and A. Lutz in Chinese
Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, New York, 1989, nos. 257 and 258. An
almost identical cloisonné enamel zun from the collection of David B. Peck III was sold at Christie’s New
York, 18 September 2014, lot 621. The inspiration for all of these vessels would have been bronze zun in
the shape of a standing bird with downward-curved tail made during the Western Zhou period, none of
which, however, had wheels.

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