Page 18 - 2020 September 23 Himalyan and Southeast Asian Works of Art Bonhams
P. 18

607
           A BRASS FIGURE OF MANJUSHRI NAMASANGITI
           KURKIHAR, NORTHEASTERN INDIA, 12TH CENTURY
           Himalayan Art Resources item no.66735
           4 3/4 in. (12.1 cm) high

           $50,000 - 70,000

           庫基哈爾 印度東北部 十二世紀 四臂文殊菩薩銅像

           This rare four-armed form of Manjushri derives from the Arya Manjushri Namasangiti Tantra
           (‘Singing the Names of Manjushri’), a major teaching dating from around the 7th century that
           conceives of Manjushri as the spiritual progenitor of all Tathagatas and the entire Buddhist
           cosmos. Manjushri Namasangiti’s many arms convey his cosmic status, cast in a naturalistic
           array. He holds a scripture before his chest, and a sword, a bow, and an arrow (missing),
           weapons that symbolize the scripture’s ability to penetrate ignorance.

           Stylistically, the bronze shares its distinctive flat lotus petals, physique, physiognomy, and
           beaded jewelry with a two-armed bronze of Manjushri from the 12th century, excavated from
           Kurkihar in Northeastern India (Sharma, The Heritage of Buddhist Pala Art, New Delhi, 2018,
           p.183, fig.124). However, unlike it, the present bronze has a glossy, unexcavated patina and
           remains of cold gold in the face and lapis in the hair which indicates it was carried to Tibet
           in antiquity. Kurkihar was an important monastic site, where a large cache of bronzes was
           discovered in 1930 and now populate the Patna Museum, Bihar. Art historically, Kurkihar
           rose to prominence in the 10th-to-12th centuries, as Nalanda waned. It was also at this
           time that religious developments lead to the flourishing of tantric, multiarmed deities in Pala
           art. (Compare a related bronze of Hevajra sold at Holly’s Auctions, Guangzhou, 27 May
           2017, lot 1048 [HAR8735]). Two of the present sculpture’s stylistic details—its large-beaded
           necklace and the ‘rice-grain’ pattern in its lower garment—draw exciting links with roughly
           contemporaneous sculpture of Nepal and the Khasa Malla Kingdom, known to have borrowed
           elements from Pala art. For example, see a gilt bronze figure of Yogambara from Nepal, circa
           13th century, sold at Bonhams, New York, 17 March 2014, lot 5.

           Provenance
           Astamangala Gallery, Amsterdam, 2007
           Private Swiss Collection







































           607 (reverse)

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