Page 218 - Nov 29 2017 HK Important Chinese Ceramics
P. 218

THE PROPERTY OF A HONG KONG PRIVATE COLLECTOR
         3014

         A FINE AND RARE DOUCAI AND FAMILLE ROSE           清雍正   鬥彩加粉彩九桃紋盤   雙圈六字楷書款
         ‘NINE PEACHES’ DISH
         YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE   此盤紋飾非常罕見。近似例可參考香港佳士得 1997 年 4 月 27 日拍賣一
         WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735)    件,拍品 58 號;Goldschmidt 舊藏一件,後於香港蘇富比 1990 年 11 月
                                                           13 日拍賣,拍品 36 號;香港佳士得 2003 年 10 月 27 日拍賣一件,拍品
         The dish is finely painted to the interior with a central medallion
         enclosing a peach tree bearing nine ripe friut highlighted in   657 號,後再於 2015 年 6 月 3 日拍賣,拍品 3145 號。
         delicate shades of pink and green, beside rocks and lingzhi. The   另可比較台北故宮博物院所藏一件僅飾青花輪廓的例子,典藏編號為故
         reverse is decorated with eight cranes in flight, each in a different   瓷 –008899。
         position, their crests picked out in iron red.
         7 æ in. (18.8 cm.) diam., box
         HK$1,200,000-1,800,000        US$160,000-230,000
         Peaches have traditionally been associated with Daoism and longevity.
         In mythology, the goddess Xiwangmu, the Queen Mother of the
         Western Paradise, owned a vast peach orchard, and it was said that
         anyone who ate the fruit would become immortal. As such, peaches
         are considered sacred and auspicious, and when used as a decorative
         motif, convey wishes for longevity and good fortune. Vessels decorated
         with luxuriant peach branches were very popular in the Qing dynasty,
         and might have been commissioned as birthday gifts or as a form of
         commemoration for an imperial birthday.
         Compare to three other dishes of this pattern and palette. One was
         included in the Arthur M. Sackler Gallery, Smithsonian Institution,
         Washington D.C., exhibition, Joined Colors, Ceramics from Collectors
         in the Min Chiu Society, Hong Kong, 1993, no. 61, and subsequently
         sold at Christie’s Hong Kong, 27 April 1997, lot 58; another was in
         the Goldschmidt Collection, and later sold at Sotheby’s Hong Kong,
         13 November 1990, lot 36; one was sold at Christie’s Hong Kong, 27
         October 2003, lot 657, and later again on 3 June 2015, lot 3145.
         Compare also a Yongzheng-marked blue and white dish of this pattern
         in the National Palace Museum, Taipei, collection number guci-008899.
































       216
   213   214   215   216   217   218   219   220   221   222   223