Page 120 - 2021 March 18 to 19th, Important Chinese Works of Art, Christie's New York City
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PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA
          853
          A VERY RARE SMALL GE CENSER                       Ge ware, along with Guan, Ru, Ding and Jun, comprise the ‘five famous
          SOUTHERN SONG-YUAN DYNASTY, 12TH-14TH CENTURY     wares of the Song dynasty’. The issues of distinguishing the two crackled
          The censer has a compressed globular body raised on a short foot and is   Southern wares, Guan and Ge ware, were discussed at length during a
          flanked by a pair of stylized fish-form handles, covered overall in a thick   three-day conference held at the Shanghai Museum in October 1992, and
          greyish-cream glaze with a network of 'iron' crackle suffused with a tighter   while no unanimity of opinion was reached, it was generally thought that
          network of reddish-gold-tone crackle.             those wares with a double jinsi tiexian (‘gold thread and iron wire’) crackle
                                                            should be designated ‘Ge’ (R. Scott, “Guan or Ge Ware?”, Oriental Art,
          5¬ in. (14.3 cm.) wide across handles
                                                            Summer 1993, pp. 12-23).
          $100,000-150,000
                                                            This small censer exhibits the fine qualities of Ge ware, with thin gold
                                                            and red crackles woven in a web across the surface. Examples of Ge
          PROVENANCE:
          F. C. Harrison (1863-1938) Collection (according to label).  censers of related shape with fish-form handles can be found in museum
          Peter Boode (d. circa 1972), London (according to label).  collections such as three in the National Palace Museum, Taipei,
          Acquired in London, 1960s, and thence by descent to the present owner.  illustrated in Precious as the Morning Star: 12th-14th Century Celadons in
                                                            the Qing Court Collection, Taipei, 2016, pp. 232-239, nos. IV-16, IV-17, IV-
          EXHIBITED:                                        18, as well as three in the Palace Museum, Beijing, illustrated in Selection
          Oxford, Ashmolean Museum, December 1903 (according to label).  of Ge Ware, The Palace Museum Collection and Archeological Discoveries,
                                                            Beijing, 2017, pp. 52-57, nos. 16-18. Also see one in the Percival David
                                                            Collection, illustrated in Catalogue of the International Exhibition of
          南宋/元 哥窯簋式小爐
                                                            Chinese Art,  London, 1935, pp. 65 and 84, no. 855. Like the present
          來源:                                               censer, which has five spur marks on the interior, many of these similar
          F.C. Harrison (1863-1938) 珍藏 (據標簽)。               examples include between four to six spur marks on the interior.
          Peter Boode ( 1972前後逝世), 倫敦 (據標簽)。
                                                            Ge and Guan wares were not only appreciated in their own era, but have
          於1960年代購自倫敦, 後家族傳承至現藏家。
                                                            been treasured by Chinese emperors of succeeding dynasties, as well
          展覽:                                               as by less exalted collectors right up to the present day. The high regard
          牛津, 阿什莫林博物館 , 1903年12月 (據標簽)。                     in which such pieces were held by the Qing dynasty Emperor Qianlong
                                                            (1736-1795), for instance, is demonstrated by the text of some of the
                                                            inscriptions which were applied on both Ge and Guan wares in the Qing
                                                            imperial collection. For instance, both the example in the Percival David
                                                            Collection and no. 17 in the Palace Museum, Beijing, cited above, include
                                                            later imperial inscriptions on the base that laud the glaze and texture of
                                                            these monochrome wares. In “Ode to a Ge Ware Censer,” the Qianlong
                                                            Emperor concludes that such Ge censers with fish-form handles were
                                                            “inspired by admirations toward the fish” (Precious as the Morning Star:
                                                            12th-14th Century Celadons in the Qing Court Collection, Taipei, 2016,
                                                            p. 239).

























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