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Thoughts Across The Waters:


 Asian Art From The David Drabkin Collection




 遙思寄遠:龍大衛珍藏亞洲藝術  THOUGHTS ACROSS THE WATERS: ASIAN ART FROM THE DAVID
          DRABKIN COLLECTION
          ~872
          A MOTHER-OF-PEARL-INLAID BLACK LACQUER
 Before collecting art in earnest, and now some sixty plus   RECTANGULAR TRAY
 years ago, David Drabkin, then a young Pomona College   MING DYNASTY (1368-1644)
 student, spent his 1961 junior year abroad in India, with stops
 in Hong Kong and Japan. This first taste of Asia would be a   The tray is inlaid with mother-of-pearl on the interior with a scene
 major turning point in his life and presaged a lifelong interest   of court officials, attendants, and animals amidst a lush courtyard
 in Asia. David Drabkin’s familiarity with Chinese, Japanese   of pavilions and foliage, framed by a border of shaped panels
 and Southeast Asian cultures expresses itself in the many   enclosing floral medallion scrolls. The exterior sides of the tray
 pieces which he acquired and lived with for many years,   are also inlaid with borders comprising floral branches and paired
 always creating an aesthetically pleasing home. With a love   birds.
 of training his “eye”, he cultivated friendships with fellow art   15Ω (39.4 cm.) long, fitted cloth box
 aficionados, many of them noted experts in their respective
 fields. And, always, he remained appreciative of his alma   $10,000-15,000
 mater, Yale, whose art museum housed many of his Japanese
 and Chinese pieces on loan. Christie’s New York is honored to   PROVENANCE:
 present a selection of Chinese works of art from the Drabkin   J. J. Lally & Co., New York, no. 461 VELL.
 collection (lots 871, 872, 874, 934 and 1035), and a dedicated   David Drabkin Collection.
 online sale Thoughts Across The Waters: Asian Art From The
 David Drabkin Collection from 14-28 September. For more   EXHIBITED:
 information, visit www.christies.com/drabkin.    Hong Kong Museum of Art, no. 20/55 IC 11 (according to label).
          New York, Brooklyn Museum, Lacquer: A Panorama of Asian
          Decorative Arts, 16 December 1988-14 June 1989, TL 1988.222.1.

          LITERATURE:
          U. Ramamrutham, “Exhibition Highlights: Lacquer: A Panorama of
          Asian Decorative Arts”, Orientations, vol. 20, April 1989, p. 75, fig. 3.
          A. G. Poster, Lacquer: A Panorama of Asian Decorative Arts, New
          York, 16 December 1988-14 June 1989.
 THOUGHTS ACROSS THE WATERS: ASIAN ART FROM THE DAVID DRABKIN
 COLLECTION   遙思寄遠:龍大衛珍藏亞洲藝術
 871
 A CARVED THREE-TIERED RED TIXI LACQUER CIRCULAR BOX   明 黑漆嵌螺鈿樓閣人物圖長方盤
 AND COVER  來源:
 MING DYNASTY, 16TH CENTURY  藍理捷, 紐約, 編號461 VELL
 The circular box has three compartments and is deeply carved on the exterior   龍大衛珍藏
 through layers of red and black lacquer with alternating bands of ruyi scrolls,   展覽:
 those on the cover encircling a central flowerhead. The base and interior are   香港藝術館, 編號20/55 IC 11 (據標籤)
 lacquered black and the interior of the lid is lightly inscribed with the signature   紐約, 布魯克林博物館, 「 Lacquer: A Panorama of Asian
 Yang Cheng zao (made by Yang Cheng).  Decorative Arts」, 12月16日1988年-6月14日1989年, 編號TL
 6¿ in. (15.5 cm.) high  1988.222.1
          出版:
 $8,000-12,000  U. Ramamrutham, 〈Exhibition Highlights: Lacquer: A
          Panorama of Asian Decorative Arts〉, 《Orientations》, 卷20,
 PROVENANCE:  1989年, 頁75, 圖3
 David Drabkin Collection.
          A. G. Poster, 《Lacquer: A Panorama of Asian Decorative
 EXHIBITED:  Arts》, 紐約, 12月16日1988年-1989年6月14日
 On loan: New York, Brooklyn Museum, Chinese Gallery, 1996-2008.

 遙思寄遠:龍大衛珍藏亞洲藝術
 明   十六世紀   剔犀如意雲紋三撞圓蓋盒
 來源:
 龍大衛珍藏
 展覽:
 借展: 紐約, 布魯克林博物館, 中國畫廊, 1996-2008年


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