Page 235 - Christie's, NYC Important Chinese Works Of Art Sept. 22-23, 2022

PROPERTY FROM A PRIVATE AMERICAN COLLECTION
927
A RARE AND IMPORTANT MOLDED AND BISCUIT-RESERVED 美國私人珍藏
LONGQUAN CELADON OCTAGONAL VASE, MEIPING
YUAN DYNASTY, 14TH CENTURY 元 十四世紀 龍泉窯青釉露胎開光八仙紋梅瓶
Well-potted with a short tapering octagonal neck and low, flaring foot, the vase 來源:
has eight facets each molded in relief and reserved in the biscuit with a lobed 李清華（1901-1980）珍藏, 舊金山
panel containing one of the Eight Daoist Immortals surrounded by trailing 洛杉磯蘇富比, 1981 年 6 月 8 日, 拍品編號 306
clouds, and is decorated above and below in low relief with conforming panels Jack Chia伉儷收藏, 新加坡
of alternating peonies and chrysanthemum borne on leafy branches. The body 香港蘇富比An Important Private Collection of Chinese Celadons and Other
is covered with a celadon glaze of deep sea-green tone, with the concave base Ceramics, 1996 年 11 月 5 日, 拍品編號 611
glazed and the unglazed foot ring burnt a bright rust color. 埃斯肯納齊, 倫敦
10 in. (25.4 cm.) high 士紳珍藏； 紐約佳士得, 1999 年 3 月 22 日, 拍品編號 271
展覽:
$600,000-800,000 「Taoism and the Arts of China」, 芝加哥藝術博物館, 2000年11月4日-2001年
1月7日及舊金山亞洲藝術博物館, 2001年2月21日-5月13日
PROVENANCE:
Chingwah Lee (1901-1980) Collection, San Francisco. 出版:
Sotheby’s Los Angeles, 8 June 1981, lot 306. J. Thompson：Chinese Celadons: The Collection of Mr. and Mrs. Jack
Mr. and Mrs. Jack Chia Collection, Singapore. Chia, 《Arts of Asia》, 1993 年 11 月至 12 月, 頁67, 圖 10（右）
An Important Private Collection of Chinese Celadons and Other Ceramics: 厲史芬：《Taoism and the Arts of China》, 芝加哥, 2000年, 頁319, 編號117
Sotheby’s Hong Kong, 5 November 1996, lot 611.
Eskenazi, London.
The Property of a Gentleman; Christie’s New York, 22 March 1999, lot 271.
EXHIBITED:
Taoism and the Arts of China, Chicago, The Art Institute of Chicago, 4
November 2000 - 7 January 2001; San Francisco, Asian Art Museum of San
Francisco, 21 February - 13 May 2001.
LITERATURE:
J. Thompson, “Chinese Celadons: The Collection of Mr. and Mrs. Jack Chia,”
Arts of Asia, November-December 1993, p. 67, fig. 10 (right).
S. Little, Taoism and the Arts of China, Chicago, 2000, p. 319, no. 117.

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