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               ETERNAL STYLE: A PRIVATE AMERICAN COLLECTION                                                                             PROPERTY FROM THE COLLECTION OF ABOLALA SOUDAVAR
               A POLYCHROME-PAINTED AND GILT-                                                                                           A LARGE POLYCHROME-PAINTED AND
               LACQUERED STUCCO HEAD OF A                                                                                               GILT-LACQUERED WOOD FIGURE OF
               BODHISATTVA                                                                                                              AVALOKITESHVARA
               YUAN / MING DYNASTY                                                                                                      Height 40¼ in., 102 cm
               affixed to stand
               Height 14 in., 35.5 cm                                                                                                   PROVENANCE
                                                                                                                                        Sotheby’s New York, 22nd September 2004, lot 36 (sold as
               PROVENANCE                                                                                                               Yuan dynasty).
               Barling of Mount Street, London, prior to 1993.                                                                          Seated on a rockwork base in lalitasana with the right leg
                                                                                                                                        drawn up and the left leg folded beneath, the present lot
               $ 30,000-50,000                                                                                                          depicts the Avalokiteshvara of the Southern Seas, or the
                                                                                                                                        Nanhai Guanyin, in an elegantly relaxed pose. The figure is
                                                                                                                                        depicted with a serene meditative expression with the large
               元 / 明   彩繪漆金泥塑菩薩首像                                                                                                       rounded face set with elongated eyes and a small bud mouth,
                                                                                                                                        all below a concave urna. Dressed in loose skirts spreading
               來源                                                                                                                       over the base, the torso is bare but for a shawl across the
               Barling of Mount Street,倫敦,1993年之前                                                                                       shoulders, adorned with an elaborate jeweled pectoral set
                                                                                                                                        with a pendent lotus flower and a long chain set with a
                                                                                                                                        dharmacakra. This languid sculptural form of the princely
                                                                                                                                        bodhisattva finds its predecessors in polychrome-painted
                                                                                                                                        wood or gilt bronze depictions of Guanyin that were widely
                                                                                                                                        popular during the tenth to fourteenth century.
                                                                                                                                        The iconography of Nanhai Guanyin was known in China
                                                                                                                                        since the early fifth century with the translation of the
                                                                                                                                        Avatamsaka Sutra (Huayan jing) from Sanskrit: the text
                                                                                                                                        describes the bodhisattva residing at his mythical dwelling
                                                                                                                                        on Mount Potalaka in the southern Indian seas. Overtime,
                                                                                                                                        the deity became known as one of mercy and compassion,
                                                                                                                                        answering prayers and protecting the faithful from
                                                                                                                                        catastrophe.
                                                                                                                                        For stylistically similar examples from the Yuan dynasty, see
                                                                                                                                        a gilt and painted figure, with the proper left hand resting
                                                                                                                                        against a stand, sold at Christie’s New York, 2nd June 1989,
                                                                                                                                        lot 95; another, with one leg pendent, in the British Museum,
                                                                                                                                        London, is illustrated in Hai-wai Yi-chen: Chinese Art in
                                                                                                                                        Overseas Collections, Buddhist Sculpture I, Taipei, 1986,
                                                                                                                                        pl. 162. Additionally, a figure attributed to the Song / Yuan
                                                                                                                                        dynasty, previously in the Arthur M. Sackler Collections, was
                                                                                                                                        sold at Christie’s New York, 16th September 1998, lot 290.
                                                                                                                                        ⊖  $ 20,000-30,000

                                                                                                                                        木漆金加彩觀音坐像

                                                                                                                                        來源
                                                                                                                                        紐約蘇富比2004年9月22日,編號36(斷代元)

















               98      SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11074                                                                                                                                           99
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