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 ETERNAL STYLE: A PRIVATE AMERICAN COLLECTION  PROPERTY FROM THE COLLECTION OF ABOLALA SOUDAVAR
 A POLYCHROME-PAINTED AND GILT-  A LARGE POLYCHROME-PAINTED AND
 LACQUERED STUCCO HEAD OF A   GILT-LACQUERED WOOD FIGURE OF
 BODHISATTVA   AVALOKITESHVARA
 YUAN / MING DYNASTY   Height 40¼ in., 102 cm
 affixed to stand
 Height 14 in., 35.5 cm  PROVENANCE
            Sotheby’s New York, 22nd September 2004, lot 36 (sold as
 PROVENANCE  Yuan dynasty).
 Barling of Mount Street, London, prior to 1993.   Seated on a rockwork base in lalitasana with the right leg
            drawn up and the left leg folded beneath, the present lot
 $ 30,000-50,000    depicts the Avalokiteshvara of the Southern Seas, or the
            Nanhai Guanyin, in an elegantly relaxed pose. The figure is
            depicted with a serene meditative expression with the large
 元 / 明   彩繪漆金泥塑菩薩首像   rounded face set with elongated eyes and a small bud mouth,
            all below a concave urna. Dressed in loose skirts spreading
 來源         over the base, the torso is bare but for a shawl across the
 Barling of Mount Street,倫敦,1993年之前  shoulders, adorned with an elaborate jeweled pectoral set
            with a pendent lotus flower and a long chain set with a
            dharmacakra. This languid sculptural form of the princely
            bodhisattva finds its predecessors in polychrome-painted
            wood or gilt bronze depictions of Guanyin that were widely
            popular during the tenth to fourteenth century.
            The iconography of Nanhai Guanyin was known in China
            since the early fifth century with the translation of the
            Avatamsaka Sutra (Huayan jing) from Sanskrit: the text
            describes the bodhisattva residing at his mythical dwelling
            on Mount Potalaka in the southern Indian seas. Overtime,
            the deity became known as one of mercy and compassion,
            answering prayers and protecting the faithful from
            catastrophe.
            For stylistically similar examples from the Yuan dynasty, see
            a gilt and painted figure, with the proper left hand resting
            against a stand, sold at Christie’s New York, 2nd June 1989,
            lot 95; another, with one leg pendent, in the British Museum,
            London, is illustrated in Hai-wai Yi-chen: Chinese Art in
            Overseas Collections, Buddhist Sculpture I, Taipei, 1986,
            pl. 162. Additionally, a figure attributed to the Song / Yuan
            dynasty, previously in the Arthur M. Sackler Collections, was
            sold at Christie’s New York, 16th September 1998, lot 290.
            ⊖  $ 20,000-30,000

            木漆金加彩觀音坐像

            來源
            紐約蘇富比2004年9月22日,編號36(斷代元)

















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