Page 211 - Sothebys Speelman Gems of Chinese Art
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It is rare to find a Ming dynasty Imperial cloisonné enamel   current incense burner was at some point detached from the
                             incense burner of this high quality, created in the form of a   pedestal, possibly a stylised lotus leaf like the Beijing example,
                             mandarin duck. Another closely related example from the   and during the Qianlong period the reign-marked circular
                             Qing Court collection, depicted standing on a stylised lotus   pedestal was specifically created for it.
                             leaf, preserved in the Palace Museum, Beijing, is illustrated in
                                                                            Qing dynasty examples are much more frequently found. See
                             The Complete Collection of Treasures of the Palace Museum.
                                                                            a pair of incense burners in the shape of ducks, attributed to
                             Metal-bodied Enamel Ware, Hong Kong, 2002, pl. 76. The
                                                                            the 17th century, from the Pierre Uldry collection, illustrated
                             overall structure, modelling technique and precise treatment
                                                                            in Helmut Brinker and Albert Lutz, Chinese Cloisonné. The
                             of the enamelled design and specific details including the
                                                                            Pierre Uldry Collection, London, 1989, no. 220. See also a
                             poised webbed feet, closely relate to the current example.
                                                                            Qianlong period duck-form incense burner, in the Museum
                             For another Ming dynasty bird-form incense burner, see   für Kunsthandwerk, Frankfurt, published in Gunhild Gabbert
                             a cloisonné enamel example in the form of a waterfowl in   Avitabile, Die Ware aus dem Teufelsland: Chinesische und
                             the National Palace Museum, Taipei, illustrated in Enamel   japanische Cloisonné- und Champlevé-Arbeiten von 1400
                             Ware in the Ming and Ch’ing Dynasties, Taipei, 1999, pl. 42.    bis 1900, Frankfurt, 1981, cat. no. 102; another in the Palace
                             See also a goose-form incense burner, lacking its pedestal,   Museum, Beijing, included in Zhongguo jin yin boli falangqi
                             from the collection of David David-Weill and now in Musée   quanji [Complete works of Chinese gold, silver, glass and
                             des Arts Décoratifs, Paris, is illustrated in Beatrice Quette,   enamelware], vol. 6: Falangqi II [Enamelware II], Shijiazhuang,
                             ed., Cloisonné. Chinese Enamels from the Yuan, Ming, and   2002, pl. 42, together with an incense burner in the form of a
                             Qing Dynasties, New York, 2011, p. 277, cat. no. 104. The   mythical beast, pl. 41.































































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