Page 232 - 2020 October 8 HK Fine Classical Paintings
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          PROPERTY FROM A JAPANESE COLLECTION        元至明十四世紀   龍泉青釉日月八卦紋瓶
          A VERY RARE LONGQUAN CELADON VASE
          YUAN – MING DYNASTY, 14TH CENTURY          來源:
                                                     傳神戶白鶴酒造株式会社第七代掌舵人及白鶴美術館
          of elegant baluster form rising from a tapered foot to a tall   創辦人嘉納治兵衛(1862-1951年)收藏
          waisted neck, moulded around the body with the bagua (Eight   松下幸之助(1894-1989年)收藏
          Trigrams), the neck flanked by a pair of handles in the form of
          a sun issuing from a wisp of ruyi clouds, covered overall save
          for the footring in an unctuous sea-green glaze, Japanese
          wood box
          30 cm, 11¾ in.
          PROVENANCE
          Collection of Kanō Jihei (1862-1951), 7th generation of
          Hakutsuru Brewery and founder of Hakutsuru Fine Art
          Museum, by repute.
          Collection of Kōnosuke Matsushita (1894-1989).

          HK$ 800,000-1,200,000
          US$ 104,000-155,000

          From the Yuan dynasty, Longquan potters aimed at adding
          interest to their monochrome products through complicated
          methods of forming and decorating. Other Longquan celadon
          vases of the period with complex handles are known, but the
          form of the current vase, where the handles are composed of
          a flattened sun issuing from wispy ruyi clouds, is extremely
          rare. The only other example appears to be in the Hakutsuru
          Fine Art Museum, illustrated in Hakutsuru Bijutsukan kanzohin
          senshu [Collection of Hakutsuru Fine Art Museum], Kobe,
          2018, p. 47, pl .61. The sun-and-cloud motif also appears
          on qingbai funerary vases, such as on a pair dated 1293,
          discovered in Guixi county, illustrated in Dated Qingbai Wares
          of the Song and Yuan Dynasties, Hong Kong, 1998, pl. 94. The
          motif is also found as a handle on Yuan dynasty gold cups, as
          seen on an example in the Meiyintang collection, illustrated by
          Regina Krahl, Chinese Ceramics from the Meiyintang Collection,
          London, 1994-2006, vol. 3, no. 23.
          The crisp decoration of the bagua motif around the lower body
          is a more commonly found design motif on Longquan celadon.
          A tripod incense burner of archaistic lian form, moulded with
          a band of bagua motifs, assigned to the Yuan dynasty, is
          illustrated in Zhu Boqian, ed., Celadons from Longquan Kilns,
          Taipei, 1998, pl. 182. See also an incense burner with bagua
          motifs sold in our New York rooms, 18th March 2017, lot 1385,
          from the collection of Brooks and Dorothy Cofield.
















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