Page 244 - 2020 October 8 HK Fine Classical Paintings
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          PROPERTY FROM THE HEI-CHI COLLECTION       唐至五代   白玉鴛鴦蓮花紋梳背                                                PROPERTY FROM THE HEI-CHI COLLECTION        遼至金   白玉鏤雕羽人珮
          A WHITE JADE ‘MANDARIN DUCK’ COMB-BACK                                                                     A RETICULATED WHITE JADE PLAQUE OF A
          TANG – FIVE DYNASTIES                      出版:                                                             WINGED DEITY                                此玉所飾,或為佛教中人首鳥身之迦陵頻伽,傳說其
                                                     姜濤及劉雲輝,《熙墀藏玉續》,北京,2012年,頁                                                                                   聲得佛音,清麗悅耳,居住淨土,與迦樓羅、緊那羅
          worked from a translucent white stone and delicately incised   107                                         LIAO – JIN DYNASTY                          相關。參考天津博物館藏遼代琉璃迦陵頻伽飾,採
          on both sides with a pair of mandarin ducks flanking three                                                 the anthropomorphic deity depicted clad in loose robes   側飛姿態,收錄在《天津博物館藏玉》,北京,2012
          lotus blooms                                                                                               exposing the bird’s feet, flanked by a pair of wings and
          9.4 cm, 3⅝ in.                                                                                             rendered soaring through meandering scrolls, the white stone   年,圖版153。迦陵頻伽的身影,時見飾於遼代金銀器
                                                                                                                     with light russet patches                   上,如河北文忠王府紀年1024-27年間之物,見 Han Wei
          LITERATURE                                                                                                                                             及戴克成,《Ancient  Chinese  Gold》,巴黎,2001年,
                                                                                                                     7 cm, 2¾ in.
          Jiang Tao and Liu Yunhui, Jades from Hei-Chi Collection II,                                                                                            圖版683-687。
          Beijing, 2012, p. 107.
                                                                                                                     HK$ 150,000-200,000
          HK$ 60,000-80,000                                                                                          US$ 19,400-25,800
          US$ 7,800-10,400
                                                                                                                     The present jade carving probably depicts a kalavinka, a
                                                                                                                     winged deity said to represent the voice of the Buddha with its
                                                                                                                     melodious sound, and be associated with Garuda and Kinnara
                                                                                                                     in Buddhist art. See a Liao dynasty glass figure of a kalavinka in
                                                                                                                     the collection of the Tianjin Museum, published in Jade Wares
                                                                                                                     Collected by Tianjin Museum, Beijing, 2012, pl. 153. Figures of
                                                                                                                     kalavinka are frequently found on Liao gold and silverwares,
                                                                                                                     such several pieces from the treasure of Prince Wenzhong,
                                                                                                                     which is datable between AD 1024 and 1027, illustrated in Han
                                                                                                                     Wei and Christian Deydier, Ancient Chinese Gold, Paris, 2001,
                                                                                                                     pls 683-687.
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