Page 97 - Sotheby's Asia Week March 2024 Chinee Art
P. 97

Impressive for its deep carving, large size and well   Hongwu reign, which displays a transitional style between
                                                                                                                                            preserved condition, this magnificent box is an exquisite   lacquerware of the Yuan dynasty and the early 15th century,
                                                                                                                                            example of the fine imperial lacquerware made in the   sold in our Hong Kong rooms, 8th October 2010, lot 2639.
                                                                                                                                            Yongle period. The lively rendering of the scene, with its
                                                                                                                                            careful juxtaposition of architectural elements that convey   A similarly carved box, in the Freer Gallery of Art,
                                                                                                                                            a true sense of depth and the lush and detailed carving   Washington D.C., is illustrated in Derek Clifford, Chinese
                                                                                                                                            of blooms with frilly petals, further attest to the excellent   Carved Lacquer, London, 1992, pl. 33; another was included
                                                                                                                                            standard of craftsmanship achieved in the manufacture of   in the exhibition Selection of Masterpieces from Ringen Art
                                                                                                                                            lacquer objects intended for imperial use.  Museum, Ringen Art Museum, Okoyama, 1990, cat. no. 167;
                                                                                                                                                                                      and two further boxes were sold in our London rooms, the
                                                                                                                                            In both style of carving and subject matter, this box stems   first, 13th December 1988, lot 36, and the second, 14th May
                                                                                                                                            from a tradition established in the Yuan dynasty, where   2008, lot 509. Compare also boxes of this type with Yongle
                                                                                                                                            designs of idealized gardens inhabited by reclusive scholars   marks and of the period; one in the Palace Museum, Beijing,
                                                                                                                                            began to be carved on lacquer. The bold, unmannered   illustrated in The Complete Collection of Treasures of
                                                                                                                                            approach that seems to characterize Yuan lacquer wares   the Palace Museum, op. cit., pl. 41, together with another
                                                                                                                                            of this type, was gradually replaced by the soft and subtle   bearing a Qianlong inscription, pl. 37; a third included in the
                                                                                                                                            perfection of the Yongle and Xuande period, as seen on this   exhibition East Asian Lacquer: The Florence and Herbert
                                                                                                                                            box. For a prototype of this design, see a box attributed to   Irving Collection, Metropolitan Museum of Art, New York,
                                                                                                                                            the Yuan dynasty, in the Palace Museum, Beijing, illustrated   1991, cat. no. 27; and a further box, of slightly smaller size,
                                                                                                                                            in The Complete Collection of Treasures of the Palace   from the collection of Edward T. Chow, sold in these rooms,
                                                                                                                                            Museum. Lacquer Wares of the Yuan and Ming Dynasties,   3rd May 1994, lot 279.
                                                                                                                                            Shanghai, 2006, pl. 4. Compare also a box attributed to the






























           190     SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11410                                                                                                                                          191
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