Page 49 - Christie's Hong Kong Wang Zing Lou Collection May 30 2022
P. 49

5
               271
               2715

               A CARVED CELADON-GLAZED                           清乾隆   粉青釉刻纏枝蓮紋花插
               FLOWER-HOLDER                                     六字篆書款

               QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE   來源
               AND OF THE PERIOD (1736-1795)                     約 1990 年入藏
               The finely potted compressed pear-shaped body is carved elaborately
               with leafy lotus foliage and the foot is encircled by a band of stylised   展覽
               petals. The slightly domed top has three circular apertures and is   借展明尼阿波利斯美術館,1997-2020 年
               similarly decorated with further lotus tendrils. The glaze is of an even
               translucent bluish-green colour.                  出版
               3 1/8 in. (7.8 cm.) high                          Robert Jacobsen,葉佩蘭及朱湯生:《清代康雍乾宮窯瓷器:望星
                                                                 樓藏瓷》,香港,2004 年,196 至 197 頁,圖版 74 號
               HK$1,000,000-2,000,000                            國立故宮博物院藏一件幾乎相同的乾隆粉青釉刻花花插,著錄於
               US$130,000-260,000                                《清代單色釉瓷器特展》,台北,1981 年,圖 93。玫茵堂舊藏另一
                                                                 件粉 青釉例 子,著 錄 於康君蕊 編《Chinese Ceramics from the
                                                                 Meiyintang Collection》,卷二,倫敦,1994-2010 年,圖 869 號,
               PR O V EN A N C E                                 後於 2012 年 4 月 3 日於香港蘇富比拍賣,拍品 7 號。
               Acquired circa 1990

               E XH IB I TE D
               On loan to the Minneapolis Institute of Arts, 1997-2020

               L I T E R A TUR E
               Robert Jacobsen, Ye Peilan and Julian Thompson: Imperial Perfection.
               The Palace Porcelain of Three Chinese Emperors, Kangxi - Yongzheng -
               Qianlong, Hong Kong, 2004, pp. 196, no. 74

               Compare the present lot to a celadon-glazed flower-holder from the
               Yongzheng period in the Sir Percival David Foundation of Chinese Art,
               PDF, B. 578, now in the British Museum, published by Rosemary Scott in
               Illustrated Catalogue of Ming and Qing Monochrome Wares in the Percival
               David Foundation of Chinese Art, London, 1989, p.57. An almost identical
               flower-holder from the Qianlong period in the collection of the National
               Palace Museum, Taipei, was exhibited in Qingdai danse you ciqi tezhan
               (Special Exhibition of Monochrome Glazed Porcelain of the Qing Dynasty),
               Taipei, 1981, no. 93. Another celadon-glazed flower-holder with carved
               flower tendrils from the Qianlong period is published by Reginal Krahl,
               Chinese Ceramics from the Meiyintang Collection, London, 1994-2010,
               vol. 2, no. 869, subsequently sold at Sotheby’s Hong Kong, The Meiyintang
               Collection, Part III, 3 April 2012, lot 7.




















                                                                                     (base 底部)

                                                                                                                 45
   44   45   46   47   48   49   50   51   52   53   54