Page 6 - Christie's Hong Kong Wang Zing Lou Collection May 30 2022
P. 6

STAR BURSTS – A BRIEF VIEW OF WANG XING LOU

         CHI FAN TSANG, DEPUTY CHAIRMAN, ASIA PACIFIC






         A collection often reveals a great deal about the philosophy and personality
         of a collector. It takes a certain vision, immense passion, a dedicated
         quest to search for objects, perseverance, and patience in building up a
         group of treasures. Whilst these essential elements may be appealing to a
         collector, they are not easy tasks to execute, let alone to accomplish. The
         Master of Wang Xing Lou was remarkable in his foresight in collecting
         early Qing dynasty imperial ceramics that were produced during the reigns
         of three Qing emperors: Kangxi (r. 1662-1722) (fig. 1), Yongzheng (r. 1723-
         1735) (fig. 2) and Qianlong (r. 1736-1795) (fig. 3). Collectively these three
         emperors are commonly referred to as the ‘three generations of Qing’. In the
         early 1990s, collecting in this area was particularly unusual as the Chinese
         art market was predominantly looking for Song dynasty monochromes
         and early Ming Dynasty blue and white ceramics. This category of Chinese
         ceramics, at that time, tended to be considered by the mature and seasoned
         collectors as ‘too young’. Perhaps to this generation of second half of 20th
         Century collectors, the vestigial legacies of the Qing era probably still
         resonated within their memories.

         As a teenager, the Master of Wang Xing Lou was drawn to antiques and
         frequently paced the lengths of Hollywood Road. With serendipity, after
         a brief spell in banking, he became a dealer in the 1980s and even passed
         up on the opportunity in joining an international auction house. It was in
         the early 1990s that the aspiring young dealer decided to collect early Qing
         Dynasty ceramics for their beauty, quality and techniques. He was also
         fascinated by the culmination of influences and traditions the Qing potters
         had adopted from an earlier Song, Yuan and Ming ceramics tradition, and at
         the same time pioneered their own decorative styles. Drawing inspirations   fig. 1  Collection of the Palace Museum, Beijing
         from well-respected older generation of formidable Hong Kong based   圖一  北京故宮博物院藏品
         dealers, who were also collectors in their own right such as Lai Tak and
         Robert Chang, the Master of Wang Xing Lou followed very much in their
         aspiration and tirelessly searched for quality and rarity. It was the Robert
         Chang exhibition of important Chinese ceramics at Christie’s which opened
         in London in June 1993 that convinced and assured the Collector of his own
         collecting journey.



















                               Lot 2701                                        Lot 2710
                              拍品 2701 號                                       拍品 2710 號
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