Page 46 - 2020 September 21 Elegant Embellishment the RenLu Colelction, Bonham NYC
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                                                             A GOLD BRACELET, QIANZHUO
                                                             Liao dynasty
                                                             Hammered from a strip of gold, the C-shaped bracelet gently tapering
                                                             toward each end, and terminated in a carefully rolled scroll, the outer
                                                             side with three conforming ribs, enclosing two bands of delicately
                                                             engraved acanthus leaves against a typical punched background.
                                                             2 3/4in (7cm) wide

                                                             US$4,000 - 6,000
                                                             遼 花紋金鉗鐲一支

                                                             A slightly more elaborate pair of this general shape from the Liao
                                                             dynasty was published in Emma Bunker et al Adornment for the
                                                             Body and Soul: Ancient Chinese Ornaments from the Mengdiexuan
                                                             Collection (Hong Kong: The University Museum and Art Gallery, 1999),
                                                             p236.
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                                                             Compare also, a Liao bracelet similar to the present example illustrated
                                                             in Chinese Gold Ornaments by Simon Kwan and Sun Ji (Hong Kong:
                                                             Muwen Tang Fine Art Publication Ltd., 2003), pp. 382-383, pl. 231.
                                                             Kwan and Sun suggest that the Liao continued stylistic developments
                                                             dating to the Tang dynasty. See the Tang prototypes published in
                                                             Zhongguo Gudai Jinyin Shoushi, Yang Zhishui (Beijing: Gugong, 2014),
                                                             vol. 1, p. 129.







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