Page 288 - The Arts of China, By Michael Sullivan Good Book

Max Lochr, Chinese Bronze Age Weapons (Ann Arbor, Mizuno Sciichi and Nagahiro Toshio, Chinese Stone Sculp-
Michigan, 1956); Ritual Vessels of Bronze Age China ture (Tokyo, 19S0); Unko Sekkutsu: Yun-kang, the Buddhist
(New York, 1908). Cave Temples of the Fifth Century AD. in North China, 16
J. A. Pope and others. The Freer Chinese Bronzes, 2 vols. vols, in Japanese with English summary (Kyoto, 1952-
(Washington, D.C., 1967 and 1969). 1 95 S); Bronze and Stone Sculpture of China: From the Yin to
Mizuno Sciichi, Bronzes andJades of Ancient China (in Japa- the T'ang Dynasty (in Japanese and English, Tokyo,
nese with English summary, Kyoto, I9J9)- i960).
William Watson, Ancient Chinese Bronzes (London, 1962). Alan Priest, Chinese Sculpture in the Metropolitan Museum of
Art (New York, 1954).
Paintinc and Calligraphy Richard Rudolph, Han Tomb Art of West China (Berkeley
and Los Angeles. 1951).
James Cahill, Chinese Painting (New York, i960); Hills Be-
Osvald Siren, Chinese Sculpture from the Fifth to the Four-
yond a River: Chinese Painting of the Yuan Dynasty, 1279-
teenth Centuries, 4 vols. (London, 1925).
tj6S (New York and Tokyo, 1976); Parting at the Shore:
A. C. Soper, Literary Evidencefor Early Buddhist Art in China
Chinese Painting of the Early and Middle Ming Dynasty,
(Ascona, 1959).
ij68-t$&o (New York and Tokyo. 1978); The Compel-
Michael Sullivan and Dominique Darbois, The Cave Tem-
ling Image: Nature and Style in Seventeenth Century Chinese ples of Maichishan (London, Berkeley, and Los Angeles,
Painting (Cambridge, Massachusetts and London, 1982).
1969) .
Chiang Yee, Chinese Calligraphy (London, 1954).
Lucy Driscoll and Kenji Toda. Chinese Calligraphy, 2nd ed. Architecture and Gardens
(New York, 1964).
Andrew Boyd. Chinese Architecture and Town Planning
Richard Edwards, The Field of Stones: A Study of the Art of
Shen Chou (Washington, D.C., 1962); The Art of Wen (London, 1962).
Maggie Keswick, The Chinese Garden: History, Art and Ar-
Cheng-ming (1 470-1 $}o) (Ann Arbor, Michigan, 1975).
Marilyn and Shen Fu, Studies in Connoisseurship: Chinese chitecture (London and New York, 1978).
Paintingsfrom the Arthur M. Sackler Collection in New York Michelc Pirazzoli-T'Serstevens. Living Architecture:
Chinese (London, 1972).
and Princeton (Princeton, NewJersey, 1973).
Shen Fu, Traces of the Brush. Studies in Chinese Calligraphy J. Prip-Mollcr. Chinese Buddhist Monasteries (Copenhagen
and London, 1937).
(New Haven, 1977).
R. H. vanGulik. Chinese Pictorial Art as Viewed by the Con- Osvald Siren, The Walls and Gates of Peking (London, 1924);
The Imperial Palaces of Peking, 3 vols. (Paris and Brussels,
noisseur (Rome, 1958).
Thomas Lawton, Chinese Figure Painting (Washington. 1926); Gardens of China (New York, 1949)
D.C., 197})
Ceramics
Sherman E. Lee, Chinese Landscape Painting, rev. cd.
(Cleveland, 1962). John Ayers, Chinese and Korean Pottery and Porcelain: Vol. II
Chu-tsing Li, A Thousand Peaks and Myriad Ravines:
of The Seligman Collection of Oriental Art (London, 1964);
Chinese Paintings in the Charles A. Drenowatz Collection, 2
The Baur Collection, 4 vols. (London, 1968-74).
vols. (Ascona, 1974): Trends in Modem Chinese Painting
Stephen Bushel), Description of Chinese Pottery and Porcelain:
(Ascona, 1979).
Being a Translation of the Tao Shuo (Oxford. 1910).
MaxLoehr. The Great Painters ofChina (Oxford. 1980).
Sir Harry Garner. Oriental Blue and While. 3rded. (London.
Laurence Sickman. ed., Chinese Painting and Calligraphy in
1970) .
the Collection ofJohn M. Crawford, Jr. (New York, 1962);
G. St. G. M. Gompertz, Chinese Celadon Wares (London,
with Waikam Ho, Sherman Lee, and Marc Wilson, Eight I9$8).
Dynasties of Chinese Painting: The Collections of the Nelson
R. L. Hobson, A Catalogue of Chinese Pottery and Porcelain in
Gallery-Atkins Museum, Kansas City, and the Cleveland
the Collection of Sir Percival David (London. 1934).
Museum of Art (Cleveland, 1980).
Soamcjenyns, Ming Pottery and Porcelain (London, 1953);
Osvald Siren, The Chinese on the Art of Painting (New York,
Later Chinese Porcelain, 4th cd. (London, 1971).
1963); Chinese Painting: Leading Masters and Principles, 7 Margaret Medley. Yuan Porcelain and Stoneware (London,
vols. (London, 1956 and 1958).
1974); T'ang Pottery and Porcelain (London, 1981).
Michael Sullivan. The Birth of Landscape Painting in China
John A. Pope, Chinese Porcelain from the Ardebil Shrine
(Berkeley, Los Angeles, and London, 1961); The Three
(Washington, 1 956).
Perfections: Chinese Painting, Poetry and Calligraphy (New
Mary Tregear, Song Ceramics (London, 1982).
York, 1980); Symbols of Eternity: The Art of Landscape
Suzanne G. Valcnstein. A Handbook of Chinese Ceramics
Painting in China (Stanford and Oxford, 1979); Chinese
(New York, 1975).
landscape Painting. Vol. II, The Sui and Tang Dynasties
See also Exhibitions and General Collections.
(Berkeley and Los Angeles, 1980).
Minor Arts
Sculpture
Michel Beurdeley, Chinese Furniture (Tokyo, New York.
Rene-Yvon Lcfebvrc d'Argcncc, ed., Chinese, Korean and and San Francisco, 1979).
Japanese Sculpture in the Avery Brundage Collection (San Schuyler Cammann. China's Dragon Robes (New York.
Francisco, 1974). •952)
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