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107

an english private collection of fine jade carvings
lots 107 - 117

英國私人收藏精美玉器
拍品編號107-117

107 *                                                                      108 *

A fine Mughal-style green jade globular jar                                A fine white jade reticulated incense burner and
17th/18th century                                                          cover
The green stone very finely hollowed to give a soft translucency to        19th century
the jarlet and delicately carved on the exterior with crisp overlapping    Of globular form supported on a short splayed foot, the body and
petals above a row of stylised leaves at the base, the foot shaped         cover superbly carved in openwork with a band of scrolling peony
as more petals, two small handles carved as simple scrolls, and an         blooms and foliage, flanked by a pair of handles with delicately-
exceptionally crisp and elegant ten-pointed petal motif to the interior.   detailed peony flowers borne on leafy stems, the domed cover
13cm (5 1/8in) wide                                                        surmounted by three blossoming peonies, the semi-translucent stone
£10,000 - 15,000                                                           of an even white tone.
HK$120,000 - 190,000	CNY98,000 - 150,000                                   13.6cm (5¾in) wide (2).
十七/十八世紀 痕都斯坦綠玉雕花瓣紋小罐                                                       £10,000 - 15,000
                                                                           HK$120,000 - 190,000	CNY98,000 - 150,000

Provenance: an English private collection                                  十九世紀 白玉鏤雕牡丹紋花薰
Spink & Son Ltd., London (label)                                           Provenance: an English private collection
來源:英國私人收藏                                                                  來源:英國私人收藏
倫敦Spink & Son Ltd. (標籤)

The Mughal style of jade carving is identifiable by the fineness of the    A similar white jade reticulated censer dated to the Qing Dynasty,
vessel, allowing the light to shine through the translucent jade, and      and another dated to the Qianlong period, are in the collection
the frequent use of the petal and other naturalistic motifs. Such jade     of the National Palace Museum, Taipei, and the Palace Museum,
carvings (both those from the Mughal empire and others carved in           Beijing, see Masterworks of Chinese Jade in the National Palace
China after this style) were highly treasured, as exemplified by the       Museum, Taipei, 1980, pl.28; The Complete Collection of Treasures
number and variety of examples extant in the Imperial collections          of the Palace Museum: Jadeware (III), Hong Kong, 1995, pl.42 (from
in the National Palace Museum, Taipei and in the Palace Museum,            the Qing Court Collection); and China: The Three Emperors 1662-
Beijing.                                                                   1795, London, 2005, pl.228. Another related jade censer from the
Compare a similar green jade lidded globular jarlet, carved with a rose    Qing Court Collection is illustrated in Qing Dynasty Studies of the
with overlapping petals, in the collection of the National Palace Museum,  Collections of the National Museum of China: Jade, Beijing, 2007,
Taipei, illustrated in Exquisite Beauty - Islamic Jades, Taipei, 2007,     pl.243. See also a spinach-green jade example from the Fitzwilliam
pl.197. For a related example from the Qing Court Collection, attributed   Museum, Cambridge, dated to the Qianlong period, illustrated by
to the Qing Dynasty, see The Complete Collection of Treasures of the       J.C.S.Lin, The Immortal Stone: Chinese jades from the Neolithic
Palace Museum: Jadeware (III), Hong Kong, 1995, pl.237.                    period to the twentieth century, Cambridge, 2009, Catalogue no.85.

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