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■5                                                 PROVENANCE:

IMPORTANTE STATUE DE SHIVA NATARAJA                Private French collection, acquired before 1994.
EN BRONZE                                          Private Dutch collection.
INDE DU SUD, EPOQUE NAYAK,
FIN XVIIIEME SIECLE                                AN IMPORTANT BRONZE FIGURE OF SHIVA
                                                   NATARAJA
Il est représenté dansant sur le démon
Apasmarapurusha terrifé sur un socle lotiforme et  SOUTH INDIA, NAYAK PERIOD, LATE 18TH CENTURY
entouré d’une auréole enfammée. Ses quatre bras
rayonnent autour de lui. Son visage est serein.    印度南部 那雅客時期 十八世紀末
Hauteur : 106 cm. (41æ in.)                        銅舞王濕婆立像
                                                   來源:
€45,000-55,000  $50,000-60,000                     法國私人舊藏,購於1994年前
                 £41,000-49,000                    荷蘭私人珍藏

                              S hivanataraja, Shiva as Lord of the Dance, is

                                                          considered as the creator of the universe and dances
                                                          the world into existence. At the same time, he is also its
                                                          destroyer. Much symbolism is attached to this specifc
                                                          form of Shiva. His drum stands for the creation of the
                                                          world. His open palm protects human beings while
                                                          his downward stretched hand symbolises the solace
                                                          of the world. His other hand holds the fre standing for
                                                          the dissolution of the world. The dwarf on whom he
                                                          tramples represents ignorance and the large faming
                                                          aureole the cosmos. The skull visible in the hair of Shiva
                                                          emphasizes his role as embodiment of Time and Death.
                                                          The goddess Ganga represented in his hair fell from
                                                          heaven to earth through his hair.
                                                          Although one might say that this specifc form of Shiva
                                                          captures best the idea of Hinduism through its form and
                                                          symbolism. Here, he stands for creation, sustenance
                                                          and destruction of the cosmos. Even his emotionless
                                                          face refects the impartiality of this process. This sacred
                                                          image is an extremely fne example from the late
                                                          eighteenth century. Its beauty is strongly enhanced by
                                                          its natural bronze patina.

                                                       6 & 7 no lot

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