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The contemporaneous Dali (957-1253) and Liao

                                                                                                    (916-1125) kingdoms both promoted Buddhism. They
                                                                                                    made sculptures in the style that descended from the
                                                                                                    Tang Dynasty (618-907). As a result, Liao and Dali
                                                                                                    sculptures are closely related in style and general
                                                                                                    appearance. In fact, previously, the very rare Dali
                                                                                                    sculptures were often mistaken for the more commonly
                                                                                                    seen Liao sculptures (see for a Liao example, lot
                                                                                                    49). Buddha images from the Dali kingdom show
                                                                                                    heads that are relatively large in proportion to their
                                                                                                    shoulders and a low cranial protuberance that are
                                                                                                    often embellished with a ratna at the front, as this
                                                                                                    sacred image demonstrates.
                                                                                                    The half-closed eyes look directly outward - in
                                                                                                    contrast to the large heavily lidded eyes of Tang and
                                                                                                    Liao sculptures, pointing to this sculpture’s origins in
                                                                                                    the Dali kingdom. The current Buddha’s monastic robe
                                                                                                    crosses both shoulders and descends to the abdomen.
                                                                                                    Its edge folds into an undulating curvy confguration,
                                                                                                    characteristic of Buddha images from the Dali
                                                                                                    Kingdom. A last feature of Dali Buddha examples is
                                                                                                    the armlet decoration on the right upper arm.
                                                                                                    The Buddha is very similar in style to an example in the
                                                                                                    Shanghai Museum, which bears an inscription dating
                                                                                                    it to the mid 12th century. The resemblance to the
                                                                                                    Shanghai sculpture suggests a 12th to 13th century
                                                                                                    date for this magnifcent Buddha.
                                                                                                    A comparable fne example was sold in Christie's, New
                                                                                                    York, 20 March 2014, lot 1611.

76 ART D'ASIE · 14 DÉCEMBRE 2016
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