Page 24 - Christie's Hong Kong Chinese Paintings May 28 to 29 2022
P. 24

Looking into the Past –
          Paintings and Calligraphy by the Jiangnan
          Literati of the Ming and Qing Dynasties



          The migration of Central Plains culture to the South began after the Six
          Dynasties. Since Southern Song, the transfer of political power to the
          South in addition to migration, as well as the commercial development
          in urban areas had led to a firm establishment of the cultural foundation
          in Jiangnan. The arts and culture of Jiangnan became increasingly
          important during the Ming and Qing period, especially for the paintings
          and calligraphy whose development was shaped by various local-schools,
          such as the Wu school, the Songjiang school and the Yangzhou school.

          Literati paintings and calligraphy dominated the painting scene of
          Jiangnan during the Ming and Qing dynasties. In contrast to the
          professional painters, the origin of literati painters could be traced back
          to the Northern Song when Su Shi advocated the ideas that expressing
          one’s spirit through form should be the essence of painting, and that
          poetry should embody painting and vice versa.

          This season, Christie’s Hong Kong is honoured to present a wide range
          of  literati  paintings  and  calligraphy  by  the  Ming  and  Qing  masters,
          including Wen Zhengming, Xie Shichen, Dong Qichang and Jin
          Nong.  Wen’s calligraphy in various scripts (Lots 820, 821, 824 and
          825) represent his versatility and virtuosity. Xie’s Scholarly Gathering till
          Twilight (Lot 823) is an impromptu pictorial record of a literati gathering
          coupled with the inscriptions by Wen Zhenming and Wen Jia, etc. The
          juxtaposition of orthodox calligraphic works and landscapes by Dong
          Qichang (Lots 822, 826, 827, 830 and 832) and the eccentric Plants (Lot
          828) and Qi script calligraphy (Lots 829 and 831) by Jin Nong offers
          diametrically different styles.

          According to Wang Xizhi’s Preface to the Poems Composed at the Orchid
          Pavilion:  “When future generations look back to my time, it will
          probably be similar to how I now think of the past.’’ This also applies to
          collecting paintings and calligraphy and indeed, we should cherish the
          opportunity of acquiring these literati masterpieces.

































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