Page 24 - Chinese works of art and paintings, March 19 Bonhams
P. 24

8028
           A RARE GRAY LIMESTONE FIGURE OF MAITREYA
           Northern Wei dynasty                              Based on the posture, this figure is believed to represent Maitreya,
           The slender figure seated with right leg crossed over the left knee,   the buddha of the future. Maitreya is believed to return to earth
           with one finger of the right hand pensively touching the cheek, the left  to preach the teachings of the Buddha after a period of great
           hand resting on the crossed leg and held in karanamudra, dressed   turmoil where the Buddha’s teachings have been forgotten. He is
           in long flowing robes draping the lower body in soft pleats, the   Shakyamuni’s successor and his return heralds a period of great
           narrow face with contemplative expression surmounted by the large   peace.
           ushnisha, mounted on wood stand.
           12 1/4in (31cm) high                              The pose, first conceived in India and later transmitted to China,
                                                             represents Maitreya in deep contemplation, while at the same
           $40,000 - 60,000                                  time, because one foot is on the ground, he is ready to stand up
                                                             and take his place as the buddha of the future. The karanamudra
           北魏 石灰岩雕彌勒菩薩坐像                                     subdues negativity, dispelling impure thoughts and other obstacles to
                                                             enlightenment.
           Provenance
           Collection of Hidenari Terasaki (1900-1951), by descent   The Northern Wei dynasty was a period of political turbulence and
                                                             intense social and cultural change. During such tumultuous times a
                                                             messianic figure such as Maitreya held great appeal and Maitreya
                                                             was one of the most popular bodhisattva during this early phase of
                                                             Chinese Buddhism.

                                                             This figure is similar to other figures of Maitreya from the Longmen
                                                             caves dated to the Northern Wei dynasty. For other examples from
                                                             the Guyang Cave see Osvald Siren, Chinese Sculptures in the Van
                                                             de Heydt Collection, Rietberg Museum, Zurich 1957, pls. 11 and 12;
                                                             and Longmen liusan diaoxiangji, 1993, pls.8-13. See a related figure
                                                             sold by Eskenazi, Ancient Chinese Sculpture, June-July, 1978, no. 8;
                                                             one from the Alsdorf collection acquired from Alice Boney, published
                                                             Eskenazi, Ancient Chinese Sculpture from the Alsdorf collection and
                                                             others, June 1990, no. 1; another formerly in the collection of the
                                                             Albright-Knox Art Gallery, Buffalo, New York, sold at Sotheby’s, New
                                                             York, 20 March 2007, lot 503; and another Maitreya from the the
                                                             collection of Robert Hatfield Ellsworth, sold Christie’s New York,
                                                             17 March 2015 lot 14.
























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