Page 134 - 2019 September 11th Sotheby's Important Chinese Art
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           A RARE POLYCHROME-ENAMELED ‘DRAGON’       There are few comparable jars to the present example.  The
           JAR AND COVER                             guan form with its colorful palette, large size and dynamic
           MING DYNASTY, 16TH CENTURY                subject matter is rare and represents the ingenuity of
                                                     Jingdezhen artisans working during the transformative 16th
           of wide baluster form swelling generously from a slightly   century. The exuberant painterly style and polychrome
           tapered flat base to a gently waisted short neck, the rounded   decoration reflects the changing aesthetic of the period
           sides brightly painted in red, green and yellow enamels with   initiated not only by the disparate tastes of the Zhengde
           a wide band depicting two pairs of confronting dragons   and Jiajing Emperors, but also by the influence of increased
           contesting a’flaming pearl’ amid flame wisps and fiery cloud   international trade, much of which was clandestine, and the
           scroll enclosed within line borders, below a band of four   emergence of a wealthy merchant class.
           striding dragons each in pursuit of a ‘flaming pearl’ and a row   A jar and cover of the same form and palette with dragon
           of stylized lotus scrolls encircling the neck, repeated above
           the foot, the domed cover with further floral meander and a   decoration is in the British Museum, London, bequeathed
                                                     by Francis Howard Paget in 1945, illustrated in Jessica
           row of ruyi-heads surmounted by a bud-form knop (2)  Harrison-Hall, Ming Ceramics in the British Museum, London,
           Height 15½ in., 39.5 cm
                                                     2001, pl. 9:105. The Tokyo Museum of Art has two similar
           PROVENANCE                                jars and covers; one with dragon decoration is illustrated in
                                                     Oriental Ceramics, The World’s Great Collections, The Tokyo
           French Private Collection, since the 19th century
                                                     National Museum, vol. 1, Tokyo, 1976, pl. 35; and another
           $ 50,000-70,000                           but with phoenix, illustrated in Hirota Fukkosai Collection:
                                                     Ceramics, Tokyo, 2007, cat. no. 72.
                                                     Compare also a related guan and cover with a design of
           明十六世紀   五彩趕珠雲龍紋蓋罐                         Buddhist lions in the Matsuoka Museum of Art, Tokyo,
                                                     illustrated in Toyo toji meihin zuroku [Catalogue of Oriental
           來源                                        Ceramic Masterpieces], Tokyo, 1991, pl. 84
           法國私人收藏,自十九世紀起














































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