Page 221 - 2019 September 11th Sotheby's Important Chinese Art
P. 221

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            PROPERTY FROM THE JUNKUNC COLLECTION  Starting around 1200, the Longquan kilns   Guanyao hu-form vase of similar proportions,
            A CELADON-GLAZED ‘LONGQUAN’       began to imitate the Guan wares produced at   though slightly taller and without the facets,
            GUAN-TYPE FACETED HU VASE         Jiaotanxia. The imitations were produced in two   published in ibid., pl. 3.
            SONG - MING DYNASTY               types. For the first type, the Longquan potters   Other small, faceted Longquan vases attributed
                                              mixed zijintu (purple-gold clay) into the body
                                              and induced a widely-spaced craquelure, so   to the Song and Yuan dynasties include a
            the slightly compressed pear-shaped body                            square-section pear-shaped vase formerly in
            formed with eight facets all supported on a   that both the glaze and the dark body would   the collections of K.M. Semon and Frederick M.
            slightly splayed foot, set with two lug handles at   conform to the aesthetic qualities of the Guan   Mayer, illustrated in Warren E. Cox, The Book of
            the neck, covered overall in an even sage-green   original. For the second type, to which the   Pottery and Porcelain, vol. I, New York, 1944, p.
            glaze suffused with a fine craquelure  present example belongs, the usual pale gray   148, and also in Regina Krahl, Chinese Ceramics
            Height 5⅛ in., 13 cm              Longquan clay was employed and the focus   from the Meiyintang Collection, vol. I, London,
                                              was on imitating the thick body, glaze color   1994, vol. I, no. 553. For a related Song dynasty
            PROVENANCE                        and craquelure of Guan wares. Imitation-Guan   Longquan pear-shaped vase, but without
                                              wares of this second category have the burnt-
            Collection of Stephen Junkunc, III (d. 1978).                       facets, see an example from the Laiyantang
                                              orange coloration at the unglazed foot that is   Collection and published in Mason M. Wang,
            $ 80,000-120,000                  characteristic of Longquan wares in general.   Song Ceramics from the Laiyantang Collection,
                                              The present vase is closely related to a Song   self-published, 2010, pl. 44.
                                              dynasty faceted Longquan vase from the Qing
                                              Court Collection, now in the Palace Museum,
                                              Beijing, and published in The Complete   宋至明   龍泉窰仿官窰式八方
                                              Collection of Treasures of the Palace Museum:
                                              Porcelain of the Song Dynasty (II), Hong Kong,   貫耳壺
                                              pl. 101. Both vases share the same form, size,
                                              and proportions. The collection of the Palace   來源
                                              Museum, Beijing, also includes a Song dynasty   史蒂芬•瓊肯三世(1978年逝)收藏




















































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