Page 94 - Christie's, Important Chinese Works of Art, Hong Kong Dec 3 2021
P. 94

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         A VERY FINE CLOISONNE ENAMEL                      This exquisite censer is extraordinarily well-crafted and features
                                                           strong colours precisely applied within fine, accurately bent wires
         CENSER AND COVER                                  that delineate the contours of the emphatic design. This refinement
         KANGXI PERIOD (1662-1722)                         is echoed in the precise execution of the key-fret pattern around the
                                                           edges of the mouth rim, the elegantly splayed rope-twist handles, and
         The censer is cast in the form of an archaic bronze liding with a tri-  the superb casting of the pierced cover decorated with five-clawed
         lobed body raised on three short tapering legs and a pair of rope-  dragons amidst vaporous clouds below stalks of lingzhi that rise like
         twist handles rising from the rim. The exterior of the body and the   flames on the bud-form finial.
         legs are finely decorated with lotus scrolls below a band of florettes   The proportions of the censer, with its generously rounded body
         encircling the neck. The gilt-bronze cover is cast in openwork   tapering to the three tiny feet, are similar to a Kangxi mark-and-period
         with a pair of dragons confronting the flaming pearl amid clouds,   cloisonné enamel censer in the Qing Court Collection, Palace Museum,
                                                           Beijing, illustrated in The Complete Collection of Treasures of the Palace
         below a bud-form finial cast with interlinked ruyi clouds.   Museum - 43 - Metal-bodied Enamel Ware, Hong Kong, 2002, p. 83, no.
         7 in. (18 cm.) high, box                          80. Also illustrated, p. 82, no. 79, is another Kangxi mark-and-period
                                                           cloisonné enamel censer in the Qing Court Collection that is also raised
         HK$350,000-450,000              US$46,000-58,000  on three small tapering feet, but has a broader, more compressed body
                                                           and plain loop handles. Similar small tapering feet can also be seen
         PROVENANCE                                        on the painted enamel tripod censer, bearing a Kangxi yuzhi mark,
         A New England private collection                  from the Alfred Morrison Collection, Fonthill House, sold at Christie’s
                                                           London, 9 November 2004, lot 21.
         清康熙   掐絲琺琅纏枝蓮紋鬲式蓋爐                                Similar treatment of the lotus blossoms can be seen on the cloisonné
                                                           enamel ‘champion vase’ dated to the Kangxi period from the Springfield
         來源                                                Museums Collection, and formerly in the collection of George Walter
         美國新英格蘭舊藏                                          Vincent Smith (1832-1923), sold at Christie’s Hong Kong, 30 November
                                                           2020, lot 2907. See also, a Kangxi-period cloisonné enamel vase
                                                           with similar lotus scroll decoration, from the collection of Juan Jose
                                                           Amezaga, sold at Christie’s Paris, 13 June 2007, lot 19.
































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