Page 42 - Christie's FIne Chinese Paintings HK May 26 27 2021
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Lectures at Banyan Forum:                          Huang Daozhou (1585-1646) wrote his Small-Character Calligraphy in
                                                             Standard Script with exquisitely fine brush strokes, in the third month of
          Story Behind Huang                                 1635, when he was lecturing in the country. According to his chronicle,
                                                             he resigned from his official post and left the capital (Beijing) in
          Daozhou’s Small-Character                          1632. Two years later, when he was living and teaching in Beishan of
                                                             Zhangpu county (in Fujian province), a judge of Zhangzhou named
                                                             Cao Weizhi invited him to teach at the Ziyan School in Zhangzhou.
          Calligraphy in Standard Script                     Huang Daozhou was methodical in his instructional style: he would
                                                             teach the classics before the biographies and chronicles, the records
          ᝇબࠑᜬ䢳                                              before histories; and he would answer his students’ questions in order
                                                             of increasing difficulties. His students complied these lessons which
                                                             took place over a year into 18 volumes titled Rongtan wenye (Lectures at
          㷌㑆ݙǗܐ㑤Ջ㟵ᐷᜬᐒǘ                                       Banyan Forum), which became fundamental in understanding Huang
                                                             Daozhou’s philosophy and scholarship. The characters “Rongtan wenye”
          ⡃㏽                                                 can be found at the lower-left of the original handscroll, as this type
                                                             of paper was used during his tenure at Ziyan School.
                                                             The text of this work is included in Chapter  Twenty-Two of
                                                             Huangzhang puji, where the analogy of the connectivity and
                                                             convergence of all the waterways is used to illustrate the importance








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