Page 239 - Christie's Chinese Works of Art March 24 and 25th, 2022 NYC
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What makes this bianhu, and others like it, so
          unusual is the addition of a tall, tapering upper
          neck to a conventional moon-flask shape. A
          similar, but incomplete, flask of this unusual
          shape is illustrated by R. Krahl and J. Ayers
          in Chinese Ceramics in the Topkapi Saray
          Museum, Istanbul, vol. II, Yuan and Ming Dynasty
          Porcelains, London, 1986, p. 543, no. 657, where
          one can see that the foot and top of the neck are
          missing. The decoration is not identical, but is
          similarly arranged, and the painting style is very
          similar. This is also true of a complete example
          illustrated by J. A. Pope in Chinese Porcelains
          from the Ardebil Shrine, Freer Gallery of Art,
          Washington, 1956, pl. 69, no. 29.459. On the
          Ardebil Shrine flask, the decoration on the neck
          is identical to that seen on the present vase, but
          the Ardebil example has two bosses that protrude
          from the narrow sides of the body. This flask is
          also illustrated by T. Misugi, Chinese Porcelain
          Collections in the Near East, Topkapi and Ardebil,
          vol. 3, The Ardebil Shrine Collection, Hong Kong,
          1981 rev. ed., p. 178, A. 101, where two other flasks
          of this type and also illustrated, both missing
          the upper section of the neck, and both without
          bosses. Another incomplete moon flask of similar
          shape is illustrated by J. Harrison-Hall in Ming
          Ceramics in the British Museum, London, 2001,
          pp. 179-80, no. 7:5, which is missing most of
          the upper neck. It, too, has a quatrefoil foot and
          a recessed medallion on each side, but like the
          flask in the Ardebil Shrine, it has raised bosses on
          the narrow sides. The author relates this shape
          to Islamic metalwork prototypes. Based on the
          published examples, none of the flasks of this
          type appear to share the same decoration on the
          body. The decoration is, however, always densely
          arranged and painted in a dark cobalt blue, which
          according to Harrison-Hall is typical of Hongzhi-
          period wares of this type.
          A very similar moon-flask but decorated with
          tall petal lappets on the upper neck instead of
          phoenixes, was sold at Christie’s New York, 22
          March 2019, lot 1630.
 1107

 PROPERTY FROM A PRIVATE AMERICAN COLLECTION  VARIOUS PROPERTIES
 1107  1108
 A VERY RARE BLUE AND WHITE `FISH’ JAR  A BLUE AND WHITE MOONFLASK, BIANHU
 MING DYNASTY, MID-15TH CENTURY  MING DYNASTY, LATE 15TH-EARLY 16TH CENTURY
 The jar is decorated in a vibrant cobalt blue with a continuous scene of   The flattened spherical body is raised on a quatrefoil foot and is decorated on
 carp swimming amidst lotus flowers, above a lappet border around the foot   each side with a central recess enclosing a ruyi-form flower head surrounded
 and below floral roundels on a diaper ground on the broad shoulders and a   by lions interspersed with floral branches, all within a line border and an outer
 quadrilobed diamond pattern on the short neck.   field of lotus and fish scroll. Loop handles flank the waisted lower section of
 the neck, which is encircled by upright leaves below the tapering upper section
 14æ in. (37.5 cm.) high
 decorated with flying phoenixes amidst clouds.
 $15,000-25,000  13Ω in. (34.4 cm.) high
 PROVENANCE:
 $15,000-20,000
 Private collection, Europe, by repute.
 明 十五世紀末/十六世紀初 青花開光獅紋扁壺
 A very similar jar was sold at Sotheby’s Hong Kong, 27-28 April 1993, lot 36.

 美國私人珍藏
 明 十五世紀中 青花魚藻紋罐
 來源:
 歐洲私人珍藏(傳)
                   1108 (another view)                                        1108
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